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Blue Marble Review

Literary Journal for Young Writers

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Poetry

The Bodies We Wear

By Rose Haberer

Michigan. The palmist cherries read my lifeline with their blood, flowing like the red sea through the
geometric map of skin. The cherries beat my mouth with warmth taken from the sun.
They tell me “you will be born again soon.”
We kiss, I drag them across my mouth for lipstick and beauty.
I pucker my lips, wait to be held in a grip, a fist, a witch trial, a public execution.
I hold myself upside down until my head conjoins with them at the stem.
I sink deep, and find the dust of my bodies
Laid like shipwrecks—baby, child,
until I become a girl that flips through the
Anatomy books; common ancestor to man. The hunched walk of wanderlust.
a woman whose breasts are clad black and white
and the paper man she makes love to when no one is watching the page
She tells me “I will be you someday”
and I was. To evolve. You must wear the body.
Coloured purple, blue, ghost, ornamental,
It will crack like uncharted whale skeletons at the sea's bottom. The core. The tail is boneless. Bloodless. I
wonder if this is what the soul is. I knew it when I lay myself next to a headless tree, and decided that it
looked like me. bioluminescence will flow through the rib cage that the child is locked behind.
the senses that are quiet.
I decided I wasn’t pitless when I saw the cherry bare,
And wiped my finger across chalk boards to take the pigmented writings with me;
numbers, the questions, the answers. A history breaks into my dna.
I have wanted to do the same with these dust-bodies.
Their teeth left to me like forebears; crowning, too small like an ancient human’s skull,
Can’t be put back and incubated in my swollen soft tissue—the many wombs of a mouth.
I paint my bodies and their hands and feet turn out vestigial.
how could I not scream and tell them that “we are constantly dying.”

 

Rose Haberer is a sixteen-year-old writer from Toronto, Canada. She received the Creative Writing Award at Interlochen Arts Camp and currently writes for The Annex Gleaner, a local Toronto newspaper. Her work defies conformity, challenges the limits of expression, and seeks to find the beauty in distortion—an artistic vision she plans to pursue for a lifetime.

Awake

By Annie Liang

On some nightswhen I can’t sleep,
I sit up just to listen
To the silence of 2 AM
where air feels like
a thin sheet so fragile,
to the point I hold my breath out offear
Of breaking
And shattering this peace.

I am not a stranger to these thoughts
A tensionturns daily
Like a broken clockwhere even
when the day ends
Something is still off, stuck at
A wrong time, refusing to move forward.

I envy thoselike you, who sleep
Without a worry.

I truly wonder what it’s like
To be you, to shine like you know best
And
to captivateso easily it still aches
To catch a glimpse.

Would I breathe easier
If I were you?
Would you notice
If I borrowed your reflection for just one day?
Isn’t it funny
How heinous envy tastes,
Disguised as a guileless admiration.
Maybe,If I wake up,
tomorrow
Stitched to my own peeling flesh,
I can swallow it and
finally
face you again.

 

Annie Liang is a high school student who lives and writes in San Jose, California. She has recently fallen in love with poetry, drawn to its ability to be expressive and explore many different themes. When she’s not writing, she spends her time painting, reading, and exploring the intersections of neuroscience and human experience. She hopes to continue shaping her voice through crafting more works that linger and resonate.

Short Talk on Time Travel

By Abbey Ella

After Tracy K Smith

I spent six months not wearing
College t-shirts so she’d smile.
Wearing, instead, my best dresses
Or steamed jeans. Anything to
Diminish my accomplishments.
Gradually, it felt like a tightrope act,
which meant it was time to leave.

Two months later, I saw her
Posing in a yard, lacy red socks,
Blue checked dress, eyeliner dots
Along crow’s feet. Five bows, total.
So happy it leaked out of her pores,
Pooled in muddy grass. I saw her
And it felt like the first time. Back before

You existed to me, you were a theory.
Now I know everything: your favorite FNAF
Game theory video. Your fascination with
Disney World mechanics—magic with a
Science. There is a colored pencil version
Of your will in my sock drawer:
This is what we mean by sharing a life. Still,

From time to time, I think of her watching me
Over brown rimmed glasses, smudged from
Her car’s cup holders. She called it the Batmobile.
But mostly what I see is a human hand,
Reaching out to poke a freckle on my cheek.

 

Abbey Ella (she/her) is a writer currently attending Sarah Lawrence College in New York. What the Living Do by Marie Howe is the book that sparked her love for writing. Her pieces have been published in Elan Literary Magazine, Words with Weight Magazine, Palette, Luxury Literature Magazine, Jardin Zine, and Blue Marble Review.

be

By Sophie Lin

be.
two letters,
too many demands.

be better.
be smarter.
be perfect.

behave.
believe.
belong.

but what if i don’t want to be
that person.

what if i’m scared
i won’t be
the best,
the bravest,
or anything at all?

what if i just
want to be.

 

Sophie Lin is a rising high school junior from Southern California. She enjoys writing poetry and short stories that explore themes of personal growth, experience, and the complexity of life’s challenges.

There’s a Fire Drill, but We’re Already Burning

By Tanisha Bose

The alarm goes off
like it’s new,
like we haven’t been training for disaster
our whole lives.

We know how to run,
how to hide,
how to laugh through lockdowns
like it’s just another Tuesday.

The teachers hush our jokes,
but we are fourteen,
already fluent in irony.

We know where the exits are.
We know which desks
won’t stop a bullet.
We know
this is normal
and that’s the worst part.

 

Tanisha Bose is a teenage poet exploring identity, survival, and silence through raw, lyrical verse. Their work has been previously published in Blue Marble Review, Merion West etc.

honda civic elegy

By Aarushi Gupta

After Ayrton Senna

here and now, i chant the only mantra i know,

i would cross seven seas behind you.

like a candle lit for a séance, the car starts.

i spin the world around in my hands.

reverse gear – in the mirrors, dreams refuse to meet my eyes.

i feel the engine oil in my ribs – it needs changing.

metal brother, hold me close – we are all that is left of each other.

through the downpour, i drive under the stent holding open the street.

there are raindrops on my cheek – the windshield wipers can’t wash them away.

if there’s magic in these pedals, let it spin the odometer back.

in the tunnel, going going going – i cross the conscious behind you.

but in the end, the light shows me

nothing ahead but road.

 

Aarushi Gupta is a nineteen-year-old from Bangalore, India. Her work has been recognized by Elan, Roanoke Review and the Lewis Center for the Arts. She is an alumna of the Iowa Young Writers Studio. You can find her writing at aarushiwrites.com

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