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Blue Marble Review

Literary Journal for Young Writers

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Poetry

A Petrified Conversation

By Anna Lund

The word Love

like a pebble under my tongue

It takes a second of awkward maneuvering to dislodge

and tumbles to your feet

We both stare for a moment

I turn my gaze back to your face

and bear witness to a stone of your own pressing against your cheek

You scoop it out

let it rest on your tongue

Then slowly reveal

my undoing

The word Sorry

 

 

Anna Lund is a writer and artist attending high school in northern Minnesota.

 

Lines for someone who disappeared from poems I never wrote

By Archita Mittra

  1. half-lit classrooms/ january sunlight/tasting new words on my tongue/ words i will later make poems, out of
  2. this, this is not a love letter/i love you the way one falls in love with a painting/ across time and space, endlessly/though mythologies of longing/ letting go is a kind of slipping
  3. half-finished conversations in shadowy corridors/ my claustrophobic stories like ghosts in summer heat/the tragedy in being so close..yet invisible/ even in dreams, i am colourless
  4. and your voice, a cantillation and the sound of my name (something beautiful) and the bell ringing like a knell/ (all i ever wanted was a universe where time machines exist)
  5. waking up in a dreamed-up world, a mythical venice or a strange arabian city stolen from postcards or ancient stories whose endings we have lost, over the centuries, so we invent new and better ones/ false alarms/ in that universe, we are not so distant, you and i
  6. confession/ i never stopped to realize just how entangled i am, with vines of identifies and whims and dreams clinging onto the rusty, crumbling walls of my heart/ desperation, (i)solation, death/ i, the lonely half of a hyphenated word
  7. i sometimes speak of myself in the second person, only to lose myself/ if you and i/ if you were i/ the way words lose their meanings when you repeat them enough times/doors opening into doors opening into doors you were closing all the while/ not you, i meant i
  8. if i (not you) write a suicide note, it would read: i cry because i cannot make myself understood/ i who yearn to write love songs to the stars
  9. autumn playgrounds/swinging to strange heavens on rusty swings or sliding down to dusty hells of fallen leaves and memories/ there is no goodbye when imaginary friends die/ does anyone mourn for burnt diaries
  10. trapped in a world that no longer exists/ my loneliness is like an empty train station in the wee hours of night that waits impatiently for something, someone/ to happen;

 

 

 

Archita Mittra is a wordsmith and visual artist with a love for all things vintage and darkly fantastical. A student of English Literature at Jadavpur University, she is also pursuing a Diploma in Multimedia and Animation from St. Xavier’s College, Kolkata. She has won several writing contests and her work has appeared in numerous online and print publications including Quail Bell Magazine, eFiction India, Life In 10 Minutes, Teenage Wasteland Review and Tuck Magazine, among others. She occasionally practises as a tarot card reader.

You can read more of her work on https://thepolyphonicphoenix.wordpress.com/

 

Cartoon

By Natalia Coiro

 

I wish I was a cartoon

Dancing to my own theme tune

With no physics to tie me down

Full of fun just like a clown.

 

I could have a thousand lives

Impaled with a thousand knives

And still stand tall

And fight them all.

 

I wish I was a cartoon

As crazy as a loon

Your imagination’s the only wall

Your dreams, a power to rule them all.

 

 

Natalia is sixteen-years-old and lives in South Africa. She is British and American. She started writing poetry when she was in a place to help her with depression. She continues to write but has started to move to film to express herself.

 

 

 

This is the Color

By Hannah Berman

 

Yes, this, this is the color.

 

The color of her tiny bed sheets,

because no one expected it would be a girl.

 

The color of his model airplane

that he builds himself, with balsa wood and Elmer’s glue,

and launches off the roof directly into a puddle.

 

The color of his breath

at the end of the first date

as they sit, limbs entangled, on the porch,

when all he wants to do is kiss her.

 

The color of their souls

as they walk along the windswept tides

of the ocean, after the sky has been cut open

and has fallen in deliberate wrath,

with a thin line of foam marking the former height of the water.

 

The color of the porcelain

they are given on their wedding day,

that they didn’t register for

but her sister thought looked quaint,

which they almost use the day he gets his diploma,

but it never makes its way down from the high cupboard.

 

The color of Carolyn’s sneakers

on her first day of kindergarten

at the big public school down the street,

as they say farewell to her at the door

with poorly concealed emotions

flying out of their grasping fingertips

they watch her skip into the void, unafraid.

 

The color of her smile

as she looks out at the dunes they used to traverse together

recalling his twinkling eyes the day he asked her to dinner,

the way he sang to little Carolyn,

his infernal habit of leaving the kitchen light on to attract moths,

how his mind stayed sharp when his body went numb,

and the way he used to place his fingertips

on the small of her back just to remind her he was there.

 

 

Hannah Berman likes singing more than talking and really would like to be a Disney princess some day.

 

Unrequited

By Farah Ghafoor

A fat, unrequited love is searching desperately for answers, and the body responds with a spasm of disgust and points inward to the place resistance lays, chewed to a nub. Love finds a police state, with them circling like vultures around a mouth, poking around a hollow waistline. All have fled, but one, only one stubborn citizen remains, and she lays half-starved in the body’s hands, no whines left on her tongue between teeth chattering a depression. Love’s flabby, soft arms cradle her, weeping for her flesh, flayed with self-hate, because she can’t accept love as much as she wants it.

 

 

Farah Ghafoor is a fifteen-year-old poet and a founding editor at Sugar Rascals, an online teen literary magazine. She believes that she deserves a cat and/or outrageously expensive perfumes, and can’t bring herself to spend pretty coins. Her work is published in places like alien mouth, Really System and Synaesthesia, and has been recognized by the Scholastic Art and Writing Awards. Find her online at fghafoor.tumblr.com.

 

Your Inner Kid

By Jefferson Woodridge

 

 

 

 

 

Remember the wonders of being a child,

back when the nights were spooky and the days were wild?

When a tickling finger left you beguiled,

and gray old objects clad in dust quickly restyled?

~

There in the corner, a dirty cardboard case,

but look again, a shuttle ready to travel through space!

Or an entity of speed for winning a race,

Anything old can become an imaginary place!

~

Backyards turned to lands of fantasies,

Woods of mystery were formed by scattered trees!

Plains of rolling hills or the Seven Seas?

Feeling the breath of a dragon in a summer breeze!

~

The creak in the night was something to dread,

And an unknown beast was waiting underneath your bed!

Your door cracks open, you certainly are dead,

but it is your mother giving you a kiss on the head.

~

Growing out is bad, although growing up is not,

When you keep your kid alive, you will learn an awful lot.

And being creative is never all for naught,

as long as you remember what your inner kid taught.

 

 

Jefferson Woodridge is a sophomore at Grand Island Senior High in Nebraska. He enjoys storytelling in most formats be it writing poems, plays, novels, songs, and even acting.

 

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