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Blue Marble Review

Literary Journal for Young Writers

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Issue 36

Haircuts and Hyssop

By Ren Johnsue

Mama hasn’t cut my hair since my turtleneck days, yet here we are in the kitchen, scissors in her hands, and a bowl of orange slices in my lap. The juice is bitter and I like it that way. I eat as Mama says something that sounds like rubber and Dad is nowhere to be found.

“The strawberry bush is large today,” she says, and I agree.

The bush has encased the backyard in shade and gnats. I see Brother climbing up the side of it. He crawls in and disappears, just like he did when he was little. Mama rants about the seeds he’ll track in, gesturing to little white blossoms stretching through the floorboards. I try my best not to sneeze as split ends tickle my nose.

Hours later, when my hair is shorter and choppier than before, Brother walks through the back door dripping red pulp.

“I saw the cat again today, the big calico,” he says as Dad grabs a towel and wipes him down. “I think she’s still looking for her daughter.”

Dad wrings out the towel into little jam jars. “Aren’t we all?”

We sit around the urn and eat yarrow stalk soup from porcelain I’ve never seen before. It tastes like sandalwood and Pacific. We eat in silence until Dad asks Brother if he’s ever been in love. Brother says it’s not polite to ask that, and Dad nods in understanding. The soup has gone cold by the time he speaks again, this time to compliment my haircut. I look at Mama, who’s smiling.

“I did what I could with the garden shears, his hair is just so thick.” She scratches the nape of my neck with affection, but I don’t feel it. I haven’t felt it since December.

Mama and Brother go outside to watch the North Dipper play chess. Dad and I are still around the urn, which is now a vase with four bluebells. He picks up the porcelain and turns it over in his hands. I see a small eye carved in the bottom. It blinks at me and I blink back, Dad shakes his head and puts it down. He’s gentle about it, though.

“You know how this conversation ends.”

I nod. He repeats himself until the breeze becomes too humid. I get up, kiss him on the forehead, and walk out the front door.

“I wish you were kinder,” is the last thing I hear before the click.

Mama is smoking cherry bark on the porch, which seems to wrap around the house for miles. I know she’s not really smoking cherry bark, but I don’t have the heart to change it.

“You’re more alike than you think,” she says.

“That’s what I’m afraid of.”

She laughs, and against my better judgment, I laugh too. She offers me the stick, and I take it to cleanse my aura. We watch the sheep in the front yard chase the fawns. One of them, the fawns, gets caught in tangled magnolia roots. The sheep running after it lets out a cry like a human child, and a buck with horns adorned with bone and jade comes to the rescue.

“Nothing like a mother’s love,” Mama says as her eyelashes fall out. She doesn’t flinch at the sound of them hitting the deck, but I can’t stand it. I run for the field as the sheep continue to bleat with desperation.

I run until my lungs burn and my eyes sting and I’m in the middle of an orchard. I don’t notice I’m crying until a tear falls into the corner of my mouth. Blackberry floods my tongue and when I wipe my eyes, my fingers are pruned and stained. I hear shuffling and when I turn, there’s a man holding out a handkerchief. I trust him because he looks like someone I passed in a grocery store once. I take the cloth and thank him. He holds both my hands, looking for something in my palms.

“That’s the problem,” he says, tracing my knuckles. “You think marigolds and lavender mean something.”

I lean into the warmth, and the more I relax the more it stings. He runs his fingers through my hair, and every strand he touches grows down to my ribs. My shoulders bear the weight. He twirls the darkness between his fingers and looks at me with something close enough to love. I swallow and smile without teeth like Mama taught me.

“When the sun comes up, I’ll be gone.”

I cry again because I am in love with him. I feel my knees shake and he helps me to the ground. I curl into the Earth and cry as dawn melts the stars. The ground, in response, provides a pair of old sewing scissors at my feet. I take them and cut my hair even choppier than Mama did, watching the clumps turn to hyssops where they fall.

When I enter through the backdoor, Mama and Brother are in the kitchen catching dragonflies. One of them hovers between my eyes. He’s red and lucky and I want to crush him between my fingers. Something tells me this is Dad now, so I sigh and step aside. Dad the Dragonfly kisses my nose before flying up and out to the ravens waiting for him. They’ll bring him back as a man, but only if they get something out of it.

As I look out to the strawberry bush, I see a speckled cat emerge with a stained mouth. Its whiskers twitch as it sees me. It starts to convulse. The door won’t open and it doesn’t matter, the cat stares as it coughs up clumps of brown and orange. It turns to glass as it hits the ground, sending fractals all over the yard.

 

Ren Johnsue is a Queer writer who believes in storytelling as a form of love and poetry as devotion. His work can be found in TRANSliterate and is forthcoming in Breakbread Magazine.

Firebug

By Silvana Cantelmi

The smoke stuck to the humidity in the air as it trailed up toward the night sky. The clouds obscured the moon, but they slowly divorced each other, forced apart by the whims of the wind. The flames engulfing the dilapidated barn cut through the blue hue of the sun’s counterpart. The wood crackled and popped as the fire gnawed at the rafters, and the hollows of the building creaked as the wind blew, shaking the burning panels. Despite the humidity, the flames only grew, nourished by old wood and fresh air.

As the flames flourished, their light overpowered that of the moon and created shadows of the tall grass. The trees. A man.

Elijah stood in front of the barn, the fire reflected in his blue eyes. Blue like the moon. A weariness weighed down his bones, but still, something buzzed in his gut. The taste of stale cigarette smoke stuck to his tongue, but it was made fresh by the new smoke he had created. Burning wood tasted different from tobacco. Cigarettes were just a lousy imitation of the real thing.

Cigarette smoke or not, the smell of ash made him want a drink.

He reached into his pocket and procured a flask. Metal covered in hide. It had been his mother’s.

Bringing the drink to his lips with a trembling hand, he took a healthy sip. The burn reminded him of childhood. His mama had given him a sip of Bourbon on his tenth birthday. Double digits, she had said, were something worth celebrating. He sipped it until it was empty, thinking about what else the burn felt like. His mama’s backhand. Cigarette butt kisses. Matches burning down to his fingertips.

As he downed the liquor and watched the barn burn, he didn’t notice the second shadow of a man emerging from the forest.

“Firebug, huh?” A voice interjected, smooth like a fine wine. Elijah didn’t like wine. With the speed of quicksilver, Elijah pulled his revolver from the holster on his hip, the mouth of the flask still flush against his lips.

“Mind if I throw this in there?” The man, seemingly unbothered with a gun in his face, gestured to the bag slung over his shoulder. It was black, lumpy, and quite large. “I need to get rid of some old things.”

“You need to leave.” Elijah’s eyes flickered from the bag on the man’s shoulder to his eyes. He found two dark voids smiling back at him.

“I think we both need to leave before someone shows up for this fire you set,” the man reasoned. He shifted the bag from one shoulder to the other with a grunt. Elijah was surprised that his willowy frame could support something that massive. “Mind if I set this down? Preferably, in the fire?”

“Why d’you gotta ask me? I’m not your keeper,” Elijah grunted.

“It’s nice to ask before framing someone for a crime they didn’t commit.”

“But I set the fire. You saw me,” Elijah said as he promptly cocked the revolver.

“Right, but what they’ll find in the bag will frame you for something you didn’t do.” The man smiled coyly. “So I’d put that gun away. Unless you want two dead bodies on your hands.”

Elijah did not lower the revolver. The moon illuminated the man’s too-white smile and corn silk hair. Elijah watched as those grinning lips parted, somehow maintaining his smug look.

“You can’t afford to trust a single thing I say, can you?”

“I’m not afraid of a little debt,” Elijah chuffed.

“Here’s some insurance. Name’s Silas,” he revealed, “Not a common name around here, is it?”

“I don’t know no Silas, and I know everyone ’round these parts. Insurance is invalid.”

Silas’ smile didn’t waver. Elijah wondered if his cheeks hurt.

“Dr. Silas Young,” the man in question bit out through gritted teeth. It made Elijah laugh, the sound punctuated by the popping of burning wood.

“A doctor, huh? Medical malpractice?” He gestured with the barrel of the gun. The metal glinted in the firelight.

“Nobody’s died as a result of my therapy,” the doctor assured. “This was plain old homicide,” Silas tilted his head, and Elijah watched as his eyes flitted to the flames. The heat had only intensified while they spoke.

Elijah followed Silas’ line of sight, finding the barn engulfed in flame. Breathing through his mouth, Elijah shivered as gritty ash laced his tongue, gooseflesh rising on his arms despite his covered skin and the heat of the raging flame.

“Always been fascinated by fire, have you? Did you often set them when you were a kid?”

“Don’t psychoanalyze me,” Elijah snapped, yet he didn’t look away from the burning barn. His elbow of the arm that was holding the gun had buckled. His wrist, now relaxed, caused the gun to point towards the ground. Elijah watched in his peripheral as Silas stepped closer with a raised hand, the other supporting the body bag over his shoulder.

Elijah’s gaze returned, and his arm straightened out, which included his aim.

“Do you smoke?”

“I must admit, cigarettes aren’t my preferred poison.”

“But have you smoked one?”

Silas nodded so minutely that Elijah almost didn’t catch it.

“Remember what the taste is like? They have a particular tang to them, something you can’t describe. So you take another drag to figure it out. Then another. And another until you’ve smoked the whole pack, and you’re hackin’ up your lungs, and you think, ‘Hmm, maybe it’s tar?'” Elijah paused, then let his arm drop to his side. “Remember that, now breathe in. Deep,” he ordered. Silas complied, his nostrils flaring and his chest rising.

“Can you smell it?”

“It’s different. Natural,” Silas noted. The corner of Elijah’s lips curled up.

Silas opened his mouth, only to be interrupted by sirens echoing in the distance.

“Go on,” Elijah gestured with his gun. “Throw that in the fire.”

“They’ll think you’ve escalated and only search harder.”

Elijah shook his head.

“Don’t worry about me. If you need to know anything about me, it’s that I can handle myself.”

Silas nodded hesitantly but carried the bag over to the fire. Elijah watched as his slender figure approached the burning barn, getting as close as he could without giving the chance to lick him to the flames. Elijah tilted his head as Silas maneuvered the bag and threw it through the barn doors and onto the scorched floor. The barn would collapse, and the rubble would bury Silas’ victim in a heap of burning wood.

Elijah’s stomach flipped at the thought.

 

A New Jersey native, Silvana Corrales Cantelmi currently attends Case Western Reserve University and is a candidate for a B.A in Classics, World Literature, and the French language. Their hobbies include learning languages, reading, and of course, creative writing.

Musings, while the blender whirs nearby

By Kinjal Johri

When I think of my mother — and I hate to admit this, bear with me — I think of her in the kitchen. It’s through the dishes she makes that she expresses herself most clearly, and it is what she’s dedicated her life to doing. When she went to university and earned a postgraduate degree in dietary science, when she worked as a nutritionist, and when she subsequently quit her job upon her pregnancy to dedicate her life to raising me — and later my brother — it was through cooking that she crafted her legacy, every recipe a glimpse into who she was before I knew her.

And who she was, I’ve learnt, is an incredibly interesting person. From competing in state-level badminton, to performing in every school play, each meal she prepares is a reminder of that vivacious past. I wonder sometimes, when I see her working so effortlessly, kneading dough or spicing the food, whether it was so easy for her to resort to a life of domesticity upon her marriage, and if she struggled with getting accustomed to her duties despite always knowing they were inevitable due to her position as a woman. I don’t ask — the personal nature of the conversation is something that makes us both uncomfortable — though I can tell what the answer is through the way she so vehemently advocates, in front of my father and her more traditional relatives, my right to pursue whatever path I wish to, and the way in which she shows her encouragement and support towards my academic endeavours through packed lunches, hot breakfasts, and affirmations over home cooked dinners.

When I think of my mother — more specifically of the entrapment I’m almost certain she experiences in the domestic nature of her life — I think of her in the kitchen, and the room, with all of its cabinets and cutlery comes to represent her oppression, and the limitations faced by the women in the generations before me.  It is why, I think, I so vehemently shunned the idea of sharing my mother’s interests in the past — sewing, knitting, dancing. I suppose it was an attempt at running away from the oppression I deemed so intrinsic to being a woman like I knew she was; I suppose I thought that in my rejection of these activities I was able to become less a victim, more the person I wanted to be. Independent, powerful, happy.

Despite my best attempts, I was reminded on numerous occasions just how much I was like her, just how much it was inevitable. The way we smile with our teeth bared, the pattern of our curls, the manner with which the lines on our palms twist and contort — I found after a while that I could try my very hardest to be less like her, to be less like who I inherently am down to my very bones, but that no such course of action would be successful. I recall having regarded this with cynicism in the past; what was the point of my education and attempts at academic and professional success when, just like my mother and the women before her, it would serve only — if at all — to confine me to a bigger house, to a wealthier man, to a more fiscally sound, and equally restrictive marriage? And I would watch my mother work when I came home from school. And in spite of all my affection and respect for her I would pray and wish for something different.

I would notice, though, in quieter moments, how straight she stood over the countertop, the poise with which she worked, the hint of a smile on her face when the dishes she made gained praise. How she flourished in spite of her circumstances. It is in these moments of realisation I feel most like her, and she seems most like the woman I want to be; optimistic, compassionate, ridiculously talented.

I’ve been trying my hand at it lately, cooking. I’m no good, I’ll admit — I burn my eggs, undercook my potatoes. My mother teaches me with a patience I know she’s gained from the submission ingrained in her. When I think of her I think of the skill and grace with which she works in the kitchen, I think of the passion with which she fights for my freedom to go beyond the boundaries of that room. She, and the women before her, have given so much up in an attempt for equality, have only dreamt of it, quietly, boldly, like a wondrous hypothetical, in the middle of the night. Despite their domestic confinement they carved out spaces for themselves in a world that left them little room to grow, and in doing so, they paved the way for me to live the life they only dared to imagine.

My mother’s hands move with a grace that seems effortless, and for a moment, I imagine mine will too. Show me again, I ask her, how you crush the cardamom husk. How your fingers dance around the seed with nimble familiarity. When I think of her I think of my shame. My stupidity. In the things she makes, and the dishes I attempt, I see the sliver of hope she kept safe from her own life to impart onto me, the blades that lie sharp, hidden, within the crevices of her cutlery. The weight of her legacy no longer feels like something I need to run from. I can see now that taking parts of her life into my own isn’t a sign of defeat. It’s a choice. To carry what strengthens me, to leave behind what doesn’t. I used to think freedom meant breaking away entirely, but now I know—it’s in what we choose to keep, in the stories we shape for ourselves. And in that, I find my peace.

 

Kinjal Johri lives in Singapore, and spends her days crunched over her laptop, trying to churn out words.

Beyond the Brink: The Enigmatic World of Near-Death and Out-of-Body Experiences

By Kevin Hong

Defibrillation emerges as one of the most profound medical triumphs of the twentieth century. In the United States alone, the intervention of bystanders using defibrillators saves approximately 1,700 lives annually (Piazza). This leap in technology has not only increased survival rates but has also ushered in a fascinating phenomenon: near-death experiences (NDEs) and out-of-body experiences (OBEs). These extraordinary encounters, reported by those teetering on the edge of life and death, beckon us to explore their deeper significance and ponder whether they offer a glimpse into an afterlife.

To unravel these mysteries—what do people experience as they hover near death, and could these experiences hint at an existence beyond our mortal coil?—we must first grapple with the concept of the afterlife. Across diverse cultures and faiths, the afterlife represents some form of continued existence beyond physical death. Whether imagined as heaven and hell in Christianity, reincarnation in Hinduism and Buddhism, or other spiritual realms, the afterlife presumes the existence of a soul that transcends our physical form. Thus, any experience that appears to be linked to this metaphysical soul might be construed as evidence of an afterlife.

Near-death experiences could hold the key to validating these claims. An NDE typically occurs when a person is on the cusp of death and experiences a vivid, almost lucid journey. Dr. Jeffrey Long, a leading figure in the study of NDEs, defines “near-death” as a state so perilously compromised that without intervention, irreversible death is imminent (Long). These experiences often unfold in the fragile space between life and death, and are recalled with startling clarity. Long observes that while NDEs can differ, they often feature common elements such as floating above one’s body, overwhelming positive emotions, traversing a tunnel, meeting deceased loved ones, or encountering a radiant, transcendent light (Long).

Among these, the perception of an otherworldly light stands out. Those who have experienced NDEs frequently describe this light as an encounter with a divine presence. This perception might be influenced by religious traditions that portray deities as forms of light. In Christianity, for instance, God is depicted as “light” (John 1:5), and the Quran describes Allah as the “Light of the heavens and the earth” (An-Nur 24:35). Similarly, Buddhism uses light as a symbol of enlightenment and spiritual wisdom. This widespread association of divinity with light might explain why individuals who experience NDEs often interpret their encounters with light as evidence of a divine realm (Ring).

Out-of-body experiences provide further support for the notion of a soul. OBEs, as described by psychotherapist Silvia Bünning and neurologist Olaf Blanke, involve a person observing their own body and surroundings from an external perspective (Bünning and Blanke). During OBEs, individuals often report observing their resuscitation process from above (Fenwick). Dr. Sabom’s research supports the credibility of these experiences, showing that patients who have had OBEs frequently recall accurate details about their resuscitation, thus reinforcing the reality of these phenomena.

Nevertheless, some scientists propose alternative explanations for NDEs and OBEs. Neuroscientist Olaf Blanke has recreated experiences resembling NDEs through brain stimulation, suggesting that such phenomena might result from neurochemical processes rather than supernatural sources (Blanke). However, these experiments have yet to fully capture the vividness and transformative quality of genuine NDEs.

Unexplained phenomena still persist. For example, an experiment conducted by nurse Penny Satori, in which symbols were placed beside a patient’s bed, revealed that the patient accurately identified these symbols upon waking—a finding that challenges scientific explanation (Fenwick).

The profound impact of NDEs should not be underestimated. While Blanke’s experiments can simulate aspects of NDEs, they fail to replicate the depth and intensity of authentic experiences. A survey of 1,122 individuals who have had NDEs revealed that 74.4% felt more conscious and alert during their experiences than in their everyday lives (Long). This suggests that NDEs possess a depth and authenticity beyond what can be simulated in a laboratory setting.

While the existence of an afterlife remains a topic of debate, the evidence from NDEs and OBEs leans towards the possibility of its existence. These experiences underscore a profound human yearning for continuity beyond physical death and highlight a deep-seated hope that life extends beyond the confines of our mortal existence. The continued occurrence of NDEs and OBEs, coupled with widespread belief in such phenomena, reveals our universal quest to understand what lies beyond death. In exploring these extraordinary experiences, we may be glimpsing a deeper truth—a testament to our enduring hope that life transcends the physical realm.

 

Kevin, a passionate writer and artist based in both Seoul and Massachusetts, explores the profound intersections of art and human experience. His love for art fuels his creativity, allowing him to share his thoughts and reflections through diverse mediums. His fascination with the metaphysical and the mysteries of human consciousness drives him to unravel the enigmatic nature of these phenomena and their implications for understanding life beyond physical existence.

Magical Milan

By Kate Wolfson

The breeze was chilling, the language unfamiliar. Illuminated signs lined the cobblestoned streets, pointing haphazardly towards a restaurant, a drugstore, a theater, a church, a home- or at least we assumed that was where they were pointing, given our inability to decipher the words. Our twelve-person group huddled together, clad in flowing black attire, clutching our instruments like they were the only things we could recognize (they were). Even the moon, albeit the same moon visible from every corner of the world, seemed altered, tinted with the hues of distance. 3,824 miles away lay our pillows, our families, our comforting front doors, our schools, and the cadence of conversations in English. Shivering, we stood in a parking lot outside of a church, staring, waiting, expecting the unexpected.

Minutes passed, or maybe hours, or perhaps seconds. As the chilled air enveloped us, it became increasingly clear that we were alone in the streets of Milan. The city, rich with the beauty of history and fashion and fame, ignored our search for family or familiarity. Of course, we weren’t truly alone; the beeping of car doors and everyday cacophonies of a city reminded us of life, of people with families and friends and stories. Yet even while surrounded by apartments and the hums of vivacity, even while gently reminded of the hundreds of thousands of city inhabitants, we remained encased by the loneliness of our language. Our attempts to communicate in broken, clumsy Italian were met with confusion, and often pity. Geometrically, plainly, we couldn’t connect.

Cold, frustrated, and unequivocally bored, we decided to open our instruments and begin an impromptu rehearsal. Disregarding our lack of sheet music, light, or instruction, we tuned our instruments and formed our crescent, orchestral formation- cellos by the street, violins by the apartment building, violas facing the church, string basses by the curb. We exchanged glances, our faces dimmed yet determined, and in unison began to play.

Initially discombobulated, the cold air and solitary streetlight were inadequate for immediate coordination. Yet as our fingers warmed and our hearts opened, the music began to blend in a way like never before. With our sight limited, our ears had no choice but to bloom, and we had no choice but to trust our instincts. Within minutes- or perhaps even seconds- the music flourished, and even with slight memorization mistakes, the sound was undeniably sparkling, alive with the sound of passion and love and excitement. The moon, once daunting, smiled down, shedding light on our collective achievement and our ability to unite in what seemed like the darkest of times.

Soon, we began to hear city cacophonies descending upon us- dwellers from the apartment, churchgoers, even the innocent drivers all paused, opening their windows to let our sound wash over them. The street glimmered, the wind encouraged us, and when we looked up, the smiles of the people emanated hope and longing and everything in between. Our music swirled upwards and outwards, cascading and blending effervescently among our crescent formation.

While we couldn’t converse with the dwellers of Milan through our mouths or our minds, we spoke to them through our instruments and our passion. We transcended the barrier of language with music, allowing our souls to connect and reach out to others. To an outsider, it may have simply seemed like a group of American teenagers rehearsing for an orchestra concert in a Milan parking lot, but to us and those around us, it was pure magic. We conversed on both intellectual and subconscious levels, bridging the fears, frustration, and confusion that so often block true connection between cultures.

When the piece was over, we set down our instruments, bracing for the unexpected. Was any of it real? The answer, arriving in the form of cheering and applause and appreciation, validated what we had known the moment we started playing: music truly brings people together. Though we couldn’t fully understand the cheers, the connection eased and blurred the differences between our group and the people of Milan.

Though fleeting, the magic of the moment was palpable. We were floating, touching hands with every listener from the apartments, every person on the stairs of church, and every driver in their car. We understood simply, truthfully, allowing connections to roll over us like a wave of comfort. The breeze was chilling and the language unfamiliar and our homes were 3,824 miles away, but our music welcomed us into the lives of those beside us, of those above us, of those who couldn’t understand our language but could resonate with our sound.

 

Kate Wolfson is a senior at Arlington High school with a passion for writing and conveying emotions through words. When she is not writing, Kate can be found playing tennis, running, and playing violin.

East of Jeju

By Yumin Kim

Crystal blue waters, white sand beaches, and a wide, wide sky over the rolling green South Korean countryside…when most people talk about Jeju Island, they conjure up an idyllic, peaceful scene like this, the kind that only exists in vacation pamphlets and stock images. I lived surrounded by these sights on Jeju for two years, but it took a long time for me to think of the island as a place of rest.

My experience attending boarding school on Jeju Island was the first time I had ever been away from my parents and my hometown, and I remember walking out onto the campus field for the first time, dressed in my 7th grade finest for the admissions interview, and looking up at a cloudless twilight sky so wide it filled up my whole vision. Without any trees or buildings tall enough to imply depth, it was like a solid wall of pink – close enough to crush me. I suppose I should have felt freer with all the open air, but I didn’t.

Years later, I find myself looking down at that same sky from the window of a plane and wondering when it started to become beautiful.

I focused hard on academics while I was in school, adhering to the stringent rules of the dorms and never letting my eyes stray further up than the one-inch margins of my schoolwork. Even though Jeju Island is only an hour’s plane ride away from the thrumming heart of Seoul, going there feels like traveling. It should be strange that I am so relaxed coming back to a place where I spent so much time stressed, but for some reason it enhances the experience like a spice. I’m a champion resting on my laurels, seeing my old friends, clearing my mind of everyday pressures by looking at familiar island scenery and reminiscing about the battles I fought there with an emptied heart. Maybe this sky was always beautiful.

Today I have returned to Jeju for a school friend’s birthday. I leave the city and fall back into my old rhythms. Back home in Seoul, I would be free to wander through endless blocks of restaurants and stores, but there is a different kind of freedom here. I am greeted by a blast of humid summer heat and my friends as I leave the airport, and we walk through familiar footpaths of vibrant scenery, pointing out small changes since I last visited and talking about inconsequential things.

Jeju is littered with many beautiful restaurants and cafes, not dissimilar to the cafe I frequented in the boarding school’s dorm town (a two-story shack made of blanched wood, right on the beach with open floor-to-ceiling windows overlooking the transparent water below. It’s a nostalgic gathering place for us, and because it is the only one, there is a steady stream of old friends and acquaintances stopping by to say hello.) Today we mix ourselves in with the river of tourists and pick a lovely streetside spot. We sit outside under a parasol, lounging in the salty breeze and waiting for our shaved ice and chilled drinks. Street cats pass under our table, and I surreptitiously feed them parts of my entreé.

How’s the new school, my friends ask, and I tell them the truth. Seoul is great and it’s good to be living with my family again. My new school is smaller than the one on Jeju, so it’s much easier to get a hold of my teachers than before. We all laugh at that. I miss them even as we sit across the table from each other, and I remember how easy it used to be to hear that sound, to call them out from their dorms in the middle of the night to go walk around on the beach in the dark.

Together we take a picture with the sea in the background. We light the birthday cake, sing Happy Birthday, and then the party is over.

My friends walk me back to my hotel, chatting amongst themselves. When I look up, the sunset sky is the color of Jeju hallabong tangerines, rougher and sweeter than any other. To my left, groups of students are rolling out a net to play volleyball in the campus field.

The Jeju Island that I am nostalgic for, that was witness to my effort and tears in the turning point of my life, only exists in a time that is quickly passing by. However I am finding now that I don’t dislike the Jeju I am coming to know. It is a mix of new appreciation and of reminiscence, like slipping into an old favorite novel made new by more experienced eyes.

The feeling of reflectiveness remains and settles in me as I board my flight back. I can’t stay here; I will soon return to my schoolwork, my house in the city, and the lively streets of Seoul, but it brings me peace to know that this place is only an hour away. An island that is proof of my ability to succeed, an idyllic vacation spot to all but me and my comrades who fought here, and maybe in the future, a place that will see my return as a more much older woman, and witness me settle into the quiet, languid life I’ve always dreamed of in a house by the sea.

 

Yumin is a high school junior in Seoul, South Korea, serving as the Editor-in-Chief of the Scholars Times newspaper. As a passionate writer, she contributes articles on school events, designs monthly layouts, and peer-edits other journalists’ articles for publication on her school’s website and social media platforms. Beyond this, she aims to write at least one writing piece whenever she travels, capturing new perspectives and experiences to share with readers. Her personal interests include environmental studies, family, and Greek cuisine.

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