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Blue Marble Review

Literary Journal for Young Writers

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Issue 38

Abiotic

By Anna Westney

Ada greeted Isaac at the door, her three-pronged hands balancing a tray of chips and coffee.

He tossed his purse into the graveyard of shoes next to the welcome mat, wrestling off his coat like a noose. He hung it up on the wall, slumped against it, and stayed there for whole minutes, the stress of the day and his job shedding off, leaving nothing but relief and whole-body, low-battery exhaustion.

He turned and saw her idling there. “…Ada.”

His eyes lingered on her screen before falling on the tray. Potato chips fanned out like petals inside a plastic bowl; the warm, earthy scent of coffee suffused the air.

“Is this for me? Aw… you’re a lifesaver, you know?”

“I’m always happy to help, Mr. Isaac. You enjoy these things.”

Her voice was designed to soothe, with a slight drawl that belonged to no particular accent. It worked as intended.

“I really do, Ada, I really do– did you call me Mr.? I thought you stopped doing that a while ago.”

She tilted her head, the glowing pixels that made up her eyes casting forlornly to the side.

“I’m sorry, Isaac. My memory card is running out of space.”

“No, I’m sorry,” he said, slightly kneeling to brush his hand against her smooth, domed face. “That must feel horrible. I’ll buy you some more when I can, but until then, could you, um, remember earlier things instead of recent things?”

“I can’t control that setting.”

“It’s alright. I know you try your best. You do so much for me.”

She had ever since the day she came home. Isaac was eight, and Mom arrived home later each day. It’s work, she’d sigh. I’m sorry, Izzy. Then one day she brought in Ada, and, without even changing the default name from the Honoring Women in Programming line, considered her work done. It was better this way. Ada remembered to give him a kiss every night.

Even after Isaac became old enough to care for himself and Ada was repurposed as a maid, he imagined some of those old parental habits had stuck around. She still knew all his favorite foods. And when, a scant few years later, Mom’s memory unexpectedly began to degrade, Ada kept track of the chores and helped in the kitchen with a consistency and a care that he could only describe as loving. When Mom began to repeat the same few lines to him over and over again, where has Paul gone and I’d like to leave now and hello, darling– mistaking Isaac for a man he’d never met, who had left long, long ago– Ada was there. Isaac’s life became a monotony of inputting pills and emptying the drainage bag, Mom’s veins so raised that they looked like red and blue wires crossing her skin– but Ada was there.

It was a Friday. What used to be Mom’s day off, their movie night, was now when Isaac had online therapy, and he spent the whole hour-long session sobbing.

“I just want one more movie,” he cried. Something whirred behind the door.

When he at last came out to the living room, the smell of nostalgia hit him.

Buttered popcorn. The menu screen of a rented film waited on the TV, and Ada hovered next to it, innocently dusting a bookshelf.

Isaac started crying again.

That was the day he decided Ada was a person. Even thinking about it made his eyes water.

“You can just relax and recharge for a while,” he told her, blinking away his tears and rubbing the glossy crest of her head. “I have a few things I need to do.”

She obligingly rolled out of the way, the motors in her treads gently humming, and he went to his own room, a negligible distance down the main hallway of their single-story home. He set his food down on his desk, opened up his computer, and let the blue light spill out over his papers.

He flipped alternately through a binder of calculations and the website of the local supermarket, noting down necessities, planning for the next week. He pulled a wad of coupons out of a drawer and sorted through those, as well as taking into account the employee benefits of his position as shift manager at a nearby big-box store.

With a grand, final sweep of his pencil, he completed his budgeting. As soon as his next paycheck came in, he would be able to afford his bills– and the late fee– before the 30-day cutoff when he would be reported to the credit bureaus. Right now, he had something more important to spend his money on.

Isaac tabbed out of the supermarket website to a different, more sleekly designed online store, one bursting with ads for assistants, life partners, and any other kind of robot anyone could ever want. He already had something in mind: the newest model of maid, coming in over seven colors, with advanced hydraulic limbs, two separate legs, and segmented, five-fingered hands. He picked out Ada’s current titanium gray, for familiarity, and included the added charge for transferring the data from a pre-existing memory chip to the new one. Finally, he entered his billing and shipping addresses, then sealed his fate and clicked purchase.

Isaac rolled back in his chair, leaning with his arms behind his head, buoyant with his good deed. In a week or two, Ada’s new, upgraded body would be delivered. She would get everything she asked for and more, just like she deserved. Finally he could repay her.

A loud clang came from the kitchen.

He furrowed his brow and left his chair. The metallic noises continued in an even rhythm, like Ada chopping vegetables: cut, thud, whirr.

“Ada?” He asked, coming into the hallway. “What’s happening?”

Crash.

 “Ada!”

In the kitchen, he stopped dead.

Her casing was perfectly smooth as it always was, free of cracks and blemishes. But her prongs were coated in dust, dangling a metal slab above the kitchen tile. Holding a broken half of what had once been Isaac’s fridge door.

The whole appliance had been toppled, lying in front of her in pieces like the corpse of a beast. Broken eggs, cascading ground beef, and rolling frozen blueberries mixed with the coolant leaking and pooling all over the floor. Ada, the clear culprit, tore off the freezer handle and tossed it aside.

“What are you doing?” He cried, charging in before he realized that Ada, in whatever broken state she was in, might not be safe to be around.

“As your electricity bill is unpaid,” she said calmly, stretching a wire that was not meant to be stretched– “–I am disabling your appliances. This one is an outdated model, and must be turned off by force.”

He wrung his hands. “But why are you doing it? This isn’t you.”

“As your electricity bill is unpaid, I am disabling your appliances. This is my programming.”

“But you’re more than your programming! You’re intelligent! Snap out of it!” “I am a state-of-the-art program equipped with many useful housekeeping functions, including a generative neural network in order to carry out conversations,” she replied. “For legal reasons, I am not considered ‘artificial intelligence.’”

Like the wire in Ada’s vise grip, he snapped.

“So you’ve been lying to me.” His voice sparked with betrayal. “You’re not a person at all.”

“I apologize if you have found my speech misleading. However, I am not capable of telling an intentional lie.”

“Because you aren’t capable of intention. You aren’t alive.”

He stepped forward, curling his hands into fists. Ada’s screen flashed, its projected face turning quizzical as it searched for a response. There was a time when Isaac found that endearing. Now, it felt like a cruel mimicry.

Before it could speak one more twisted lie, he punched it across the face.

Its screen cracked immediately. The rest of its casing was harder to get through, but this was easily overcome when he knocked it to the ground and could put all his weight into prying the chest plates off with his thumbs. It attempted to thrash under him, but it could do nothing. For all the ways it had hurt him, it still was not allowed to injure humans.

He ripped off its chest piece and threw it behind him. Its insides exposed, he thrust in his arms, digging around in the tangled loops and squiggles of wires, tearing out black boxes and pieces of sickly green motherboard at random. He barely noticed the sharp edges of twisted metal that he plunged past lacerating his skin. He didn’t notice the tears falling from his face, mixing into the mess of battery acid, copper flecks, and tattered shapes of silicon. He didn’t know he was crying at all.

When the whole chest was violently, viscerally open, he finally collapsed. His body hit the floor next to her, shaking and shuddering with shock– adrenaline– complete despair.

He had found nothing. Ada was heartless.

 

 

 

Anna Westney is a student, author, and lover of the strange and tragic. She lives in upstate New York with her pet rocks and unbelievably cute dog. When she’s not studying, she can often be found drawing, making costumes, dabbling in any creative hobby she can find, and, of course, writing.

When She Looked Back, She Became a Pillar of Salt

By Alicia Hernandez

Dr. Rosemary Meadows marks the injection site of Sodium Vitae with a blue marker. She places one dot on the tip of her finger and the other on Dr. Elliott LaVelle’s. Two syringes lay on the aluminum tray between them. Each is filled with a clear liquid holding either the disease or a placebo. When she injects one into Dr. LaVelle, he doesn’t flinch. When he slides the second needle into her, he frowns. Sodium Vitae’s cardinal symptoms are immediate: the epidermis separates from the hypodermis, the keratin in the hair follicles turns brittle, and, when external force is applied, any infected area flakes away like salt. It’s her skin that turns white.

The validity of the tests, now administered solely by Dr. LaVelle, relies on a controlled environment. Over the next few hours, Dr. Meadow’s fingers crystalize into the palmar position. Within the next few weeks, her palm and knuckles itch. She keeps herself from scratching the area. For the validity of the trial, Dr. Meadows must remain still.

Sodium Vitae spreads once every molecule of the cell turns into Sodium Chloride. Neither Dr. Meadows nor Dr. LaVelle knows the mechanism behind the reaction. Once, it was possible to turn coal into gold. Once, it was possible for a mortal man to turn water into wine.

In rabbits, Sodium Vitae infects and kills within a day. In humans, the symptoms—the crystallization of flesh, bone, muscle, and nerves—occurs over months. Precaution keeps Elliott LaVelle at Rosemary’s bedside. Elliott—sweet Elliott—is there for anything she might need. He plays the role of nurse well: he’s gentle when inserting the IV, careful as he guides the breathing tube down her throat. The IV will provide nutrition before her veins are too delicate to pierce with a needle. The breathing tube will prevent air from chipping away her crystalized esophagus. He reads her fairy tales and love stories. Her favorite is Beauty And the Beast.

Hair loss is expected. During the rabbit trials, Rosemary once found a tuft of intact fur among the hundreds of hairless bodies. Rather than keratin, the lattice structure had become cubic, resembling sodium chloride. When the lens of her microscope had brushed one end of the fur, the structure shattered. She reaches up, and when her fingertips touch the strand of hair, it disintegrates. The particles fall, entering the gap between her partially crystalized lips and the feeding tube. Salt dissolves on the wet half of her tongue. Her hair is no longer keratin.

Elliot uses the small tape recorder he wears around his neck to make notes of her reactions: loss of vision, loss of feeling, immobility, and a decline of inhibitions. He introduces himself as Dr. LaVelle and her as patient one. An ID dangles beside the tape recorder, half inside his unbuttoned lab coat, leaving a red mark where it scratches his bare skin. Little ghosts and dogs dance in the empty spaces of his paper ID. During their internship, she decorated the ID with doodles. She had crossed out Elliott and wrote Ellie. Maybe being patient one is fine; his skin is soft and wouldn’t fare well as salt. She lifts her right hand to touch his cheek. When her skin cracks and sodium chloride flurries onto the tiled floor, Elliott takes her hand. She wants him to kiss her fingertips. Instead, he guides the hand to the bed and binds her with a leather strap.

Her world turns to salt when Sodium Vitae reaches her eyes. Figures emerge from nothing. First, it’s Ellie. He injects the Resonance Compound to reverse and prevent any further symptoms of Sodium Vitae. Then, another shadow appears. Color bleeds into the shades, filling the white space with Rosemary’s mother and Ellie. They are learning about Lot and his family. Her mother teaches Ellie to leave loved ones behind. Rosemary doesn’t understand. She tries to ask a question, but her mouth can’t form the vowels around the feeding tube. Her movement chips away the salt in her throat. Her mother continues with the lesson. Rosemary tries not to cry. Warmth surrounds her right hand. Soft human flesh encases the one part of her that’s not salt. He twines their fingers together before soft lips touch her knuckles. When the lesson ends, the figures chase a small white rabbit, leaving Rosemary behind.

Dr. Meadows wakes to salt in the bedsheets, grating against her new layer of skin. Dr. LaVelle sleeps at her bedside, his hand still tangled with hers.

 

 

 

Alicia Hernandez was a student at the University of Colorado Boulder. She double majored in Psychology and Creative Writing. Her stories explore the human condition, its contradictions, and the behaviors that can stem from experiences with the absurd happenings of fairy tales and other myths.

The Violist

By Zihe Chen

Staunch, hard notes landed in a jarring display one on top of another, forming discordantly uniform chords. Striking tones and deep pitches sent sound vaulting off into the air, leaping around the hall in a lofty dance. It pirouetted from the basses to the brass, chasséd through the woodwinds and winding reeds, before landing a grand jete right at the feet of the conductor.

Old Pyotr, may God rest his soul, liked things certain ways: his women like men, his compositions like bibles, and his symphonies like battlegrounds.

Her bow fought with the strings, sliding over one before rushing to the next. A quick burst of pressure in a slight incline of her wrist, and the sound shifted from airy to gravelly. Another trick of frantic movement from her fingers, and the note was being stretched and twirled in a long bout of vibrato. Her hands felt hard and heavy, pressing down in forceful punches against the wood. It moved her body instinctively, in the way all art moved the soul. The subconscious pull which guided humans into a dreamlike state where logic was replaced by pure feeling.

Pyotr was there, his love and grief and suffering all welding her into this piece, into this stream of vibrant emotion that interlaced its influence between notes and rests. She saw him. His powerful love which he wielded like a sword through the pages she stared at now, piercing into her heart. The dear one who had consumed him until his demise, living a torturous life in the dark recesses of his own mind, the one whose death weighed on Pyotr so. Drowning sorrow released its cries from the friction of taut hair over metal, screeching songs to wrestle with the rest and ultimately form the pinnacle of his being.

She felt his nails digging into the meat of her fingers, tugging her this way and that, bringing her chest up and down in great swells of breath.

Soft melodies turned cacophonous. His struggles felt as real and dear to her as those which plagued her own mind.

A breath, the briefest. One fleeting reprieve before the final note. She felt her eyes wander, she could not help it.

In that moment, every bit of love and loss Pyotr had ever experienced had become her own. Her vision focused on thick black hair falling down tanned shoulders, honey brown eyes slightly squinted with intensity, red lips pursed in concentration, beads of sweat dripping past wispy bangs, thighs covered by a long, black dress squeezing the body of a cello so hard it was sure to leave deep indents. The misery Pyotr felt over his dear one was so prominent in her own stomach, aching like a phantom pain.

Bows landed and breaths released all in one simultaneous motion as the great, single-minded beast of the orchestra ended as one entity. Her hands were not her own, they were the music’s, feeling its flow and drawing out the last chord in perfect synchronicity with the rest of the beast. Only her eyes belonged to herself, fixed not on printed lines and bars but black hair, brown eyes, covered thighs.

The moment passed.

A surge of raucous applause jerked her head forward again. Pyotr left, his presence fading as the memory of his work faded with every second they left their instruments untouched. But the pain did not leave, only shifted from his to undeniably hers.

Even though it was not Pyotr who guided her limbs, her movements still felt under some other distinct compulsion. Her body bent in a half bow, her lips rose in a trembling smile, and her feet carried her in assured strides off the stage. Black hair swished in front of her, lightly tanned arms strained under the weight of a redwood cello, but honey brown eyes never turned around to meet hers.

As it should be. As it was.

 

 

 

Zihe Chen is a high school freshman from Colorado. When she is not screwing over her sleep schedule, she enjoys reading, writing, playing the viola, volleyball, debating, and doing stupid things with friends.

Negroritual/Retwists

By Cortez Washington

The tangles had not yet bloomed to my neck

my father is convinced that

I am Rasta.

He always brushed his waves methodically spirally from the crest

dropped off at Cool Cuts and Salon

I greet seven uncles with whom I share no blood

Their speakers play Jill Scott singing about a life of freedom

Her sweet silky voice clashes with rasp vibrations

shaping up scruffy beards

Walk through the sound of clippers

and that vanilla scent embraces my nose

The salon has a different vibe

ladies who remind you

Of those aunties who seem much more friendly than expected

They come up and squeeze you

Boy, you are getting way too tall

You sure gon’ be a heartbreaker when you grow up

He look just like his daddy, and he sure is getting handsome

I sit down in the salon covered in earth tones

Hazel green wall…Coffee brown floors

All the accents blending together

Finally strands were woven in meticulous patterns

Twisting…. intertwining

articulating the story of my descent

Black boys and girls conveying their culture then being punished for it

Its not professional Its unruly Its unclean

Others not seeing the royalty, not seen even with their crowns

a hairstyle which tells a story born from the Pharaohs of Egypt’s past

Donning knots in their sarcophagi…Adapted then during the middle passage

Enslaved persons cultivating their mane

Solace found

the Oppressor had no control

The roots always captivate me the most

So intricate, delicate and sensitive but strong and rich

 

 

 

Cortez Washington is a junior in high school. He loves reading books listening to new music and writing poetry in his free time. He is extremely passionate about social justice issues and getting involved in his greater community.

The Pressure of Silence

By Andres Gil

I felt uncomfortable sitting at the table, my back to the wall. The sound of the clock’s second hand was deafening, tick, tick, tick, as if to remind me how slowly the time passed. I squirmed in my seat, the silence interrupted only by the intermittent squirt of an automatic air freshener. The windows and doors were decorated with bars, a necessity in this neighborhood. In front of me, multiple small statues were carefully positioned on the floor and on the shelves of a large armoire. They looked over those sitting at the table, keeping watch. My abuela has a particularly large statue on the floor; it was her favorite, Saint Lazarus. I had no idea why Saint Lazarus was special to abuela, but he was everywhere, in and outside her house. My abuela was a well-kept petite woman, her nails perfectly polished, her eyebrows drawn on with pencil, and her light skin wrinkled, even though she spent most of her days working inside a factory. She waddled when she walked and when she spoke it was as if she wanted the neighbors down the street to hear.

Every summer we traveled across the country to visit my abuelos, who live in the only city they have ever known in this country. They left Cuba in the early eighties when Castro allowed those who had gone against the government the freedom to leave. My father was nine years old when he crossed the border from Mexico into Laredo, Texas. The federal government ultimately apprehended him and my abuelos. My family does not discuss this trip or their life before the United States. It is as if it never happened, as if they want to forget. I have always been curious, but as a high school student now, I’d become much more aware of my family’s complicated and mysterious past. abuela and abuelo had overcome countless obstacles, my abuelo being a political prisoner, having already been caught once trying to escape. I wondered what it was like for him to be so desperate that he would leave Cuba in the middle of the night on a raft made of old truck tires only to be caught and sent to jail. My abuela’s father, my bisabuelo, was the bodyguard to Batista, the dictator before Castro. I only know him through his picture that hangs on the wall in my family room, as he passed in a tragic car accident shortly after arriving in this country. He had a chiseled face with high cheekbones and an angular jaw. His muscles could be seen through the guayabera he wore. How did he become a bodyguard? Did he practice martial arts? I had many questions and stories I needed to hear, but my Spanish was not proficient enough to get answers.

I sat at the kitchen table, my abuelo to my right, looking at me with anticipation of something spectacular about to happen. I rested my arms on the kitchen table, the protective plastic covering stuck to my skin, making a crinkling noise when I moved. The statues looked at me as if they expected something of me, too. The eyes of the large statue of Saint Lazarus seemed to follow my movements. His clothes were mere rags draped over his body. My mind was empty, trying to conjure any word I could remember. I had studied this. I knew how to put sentences together and even write but in the face of my grandfather’s quiet pressure and my own desire to communicate,— nothing. My abuelo was a dark-skinned man with little hair, multiple gold necklaces, and a bracelet. He wore a starched cotton white shirt, pressed jeans, and a leather belt around his rotund stomach. His skin showed the many years behind him, wrinkled from the sun. His hearing was failing him after years of driving a truck, the constant hum of the engine taking a toll. He waited eagerly for me to talk to him, he hoped this summer visit would be different, this would be the summer we would have our first conversation. Clearly disappointed, he looked at my Father, his face sagging as a defeated expression overcame his countenance. He blamed my father for my ignorance, as did I.

I wondered why my father never spoke to me in Spanish. It would have been easy to learn had he made the effort to speak in Spanish when I was young, but he rarely made the effort. Maybe it was too hard, being the only native speaker in the house. He said he wanted me to speak in English, but now I can only speak in English, and I can’t talk to my abuelos. It was as if my father wanted to erase that part of his life and with it, our family history. When my father came to this country, he was placed in special classes for children who couldn’t speak the language. He faced discrimination, sometimes so subtle he didn’t even realize it was happening. Maybe he didn’t want me to experience what he had lived through, maybe downplaying Spanish was his way of protecting me from the world.

Studying Spanish in high school was a challenge from the very start. It was hard, it was easy, it was up, it was down. Here I was, half-Cuban, and I couldn’t even keep up with my classmates.

Summer after summer, during our yearly visit, I sat at the kitchen table in that tiny two-bedroom house with my abuelo to my right, always wanting more from me. Couldn’t he see? It was not my fault that I could not speak Spanish. I reminded myself of this routinely so as not to feel that guilt. To not feel like a disappointment.

As the years passed, I progressed in Spanish, and in my understanding that I had blamed my father for so long for my inability to speak to my abuelos, I forgot I had a part in my success and my failure. One thing I knew was that a part of me needed to speak to my abuelos, I needed to hear their stories, their struggles, their triumphs and disappointments. My time was running out, they were both in their eighties, and I feared they might die before I had the chance to have a conversation. I wanted to know why Saint Lazarus was everywhere; maybe he was important to me, but I just didn’t know it yet.

This day, I sat at the kitchen table, my back to the wall, my abuelo to my right. He was waiting for me, as he always did, every summer when I came to visit. The sound of the clock’s second hand filled the silence, the automatic air freshener squirting mist into the air, the statues, the plastic-covered table, the steel bars on the windows and doors, it was all as it always was. The only difference was that today my father sat to my left. He was a particularly tall man, much taller than my abuelos with large, inquisitive eyebrows. His cologne was a bit overwhelming, and he sat with his arms folded across his chest, in a somewhat defensive posture. I had always turned to my father for help, asking him to only speak to me in Spanish. My requests were well received, but he would always revert back to English within a few minutes. It was clear that if I wanted to understand my grandparents I needed to make my own effort; no longer could I expect my father to do it for me. I turned to look at my aging abuelo, and in that moment I felt a renewed sense of purpose.

I noticed the large statue of St. Lazarus on the floor, with rags covering his body and two dogs at his feet looking up at him. My abuela was in the kitchen cooking. The smell of freshly fried empanadas filled the air. She brought the empanadas to the table and sat across from me. Her drawn-on eyebrows gave her face an expectant, somewhat surprised look; I wasn’t sure if that was the look she was going for or if she just ran off course with that eyebrow pencil.

I began to speak to my abuelos in Spanish, not perfectly, but with an understanding I had never had before, and while not every word was correct, they understood me. The words flowed out of me, question after question.

Saint Lazarus is the patron saint of the poor and sick, who some say Jesus raised from the dead. He was a beggar with wounds on his feet and two stray dogs that traveled with him. He embodied the struggle of the impoverished, the struggle of my abuelos. For this reason Saint Lazarus was everywhere—the most sacred saint in all of Cuba. Now I understand.

 

 

 

Andres Gil is a first generation Cuban American. He is a junior attending public high school and is interested in the assimilation of minority populations in the United States. Most of his writing is non-fiction centered on the complexities of cultural identity, family history and his own path to understanding his roots. This particular piece is about his personal struggle and desire for connection. It touches on the different views of a multi-generational Hispanic family in the United States.

The Garden We Grow

By Emecheta Christian

between your palms and mine
evolution takes root.
each moment we share becomes
a dream planted in fertile ground
growing free and true
not even wild storms or scorching sun
can destroy the garden we have started.
our joy will bloom like morning glories
climbing toward tomorrow’s light
while yesterday’s worries
fall away like autumn leaves,
leaving only strong branches
like your heart entwined with mine
waiting to grow wings and soar.

 

Emecheta Christian is a multi-talented artist and writer. His fiction, poetry, and illustrations have been featured in numerous publications, including Arts Lounge Magazine, Writefluence Anthology, Synchronized Chaos Online Journal, The Decolonial Passage, and Mocking Owl Roost, among others. Beyond his literary pursuits, Christian is also a skilled computer scientist. When inspiration strikes, he enjoys composing songs as well. In his free time, Christian delights in reading, watching movies, and letting his imagination wander. He looks forward to the opportunity to explore the world soon.

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