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Blue Marble Review

Literary Journal for Young Writers

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Issue Nineteen

The Devouring

By Luci Kirlin

I flash canines in grins
and spin, pointing at dragonflies
bird cries swing in trees, brash
and in the sky, clouds clash
my tongue tastes of moss
and the ocean in my stomach churls wry
I bite my freckles, as my head goes cross
my skin goes numb, at a loss

the world is too much
there is too much air
the sky could pop
and I wouldn’t care
eyes burrowed in brains
dark brow furrowed
canines bright
all my body pure light
no care for the sky’s endless night

I would be only power
the pious would cower
as my being
self-devours

 

 

Luci Kirlin is from California. Luci is a high school student who enjoys creative writing and more specifically poetry. She has written poems since a young age and has recently been published in online and school magazines.

Three Black Nights in the USA

By Sophia Rose Smith

Soon the sun-backed stars
Focus into view. My mother,

The pull of clean day,
Packed away into suitcases.

Night shuffles its shoulders
Into place and headlocks

Our city, fractured only by
Blazes and broken glass

Embedded in thoughts
Shouldering rubber bullets;

They are blurred by
Haze, my eyes windshield

Wipers clotted with
Rain. I find myself

Searching past the scornfully
Strewn media posts,

Diving down beneath
The epitaphs of sooted

Screens. Names remain
Sloshed around in

Buckets brimming with
Apologies, embracing the

Hallowed hashtag as though
Clinging to words will

Bring divine meaning.
So many expect the world

To be anointed by this
Bruised oil, for the sins

Of history to be forever
Purged– today,

These three black
Nights have shone

Their darkness on
The world, concentrated

Into slick puddles.
Their names still

Ride in with the
Rolling waves,

Flow out with the
Ebbing tide:

Arbery.

Taylor.

Floyd.

 

 

Sophia Rose Smith is the People Editor for her high school’s newspaper, The MVHS Oracle, and the Editor-in-Chief of Binsey Poplar Press. When she’s not writing, she spends her time volunteering as a docent for her local history museum, practicing calligraphy, and drinking too much earl grey tea. Her writing has been recognized by the Scholastic Art and Writing Awards, California Federation of Chaparral Poets, and Schola Cantorum’s poetry-to-music program, among others.

Curls

By Nicaulis Mercedes

Curls intertwine each other in small and powerful ringlets
Too powerful for others to understand
And too complicated for some to love
Its moisturized by heavens private pool
It grows like a weed
And thickens up like gumbo
It falls to my knees but shrinks up like a cloud
It dries up like a desert
And tangles up like vines
It isn’t a distraction or a boulder
It’s the stunning view
It’s the garden of eden
Others see it as bad
And some see it as good
Curls are a gift
Curls are a crown
They must be cherished
No matter how thick or loose
No matter how short or long
Its power and grace are underrated
its volume and definition are rarely discussed
Every single miniscule ringlet
No matter how small
No matter how thick
Makes up a beautiful galaxy
think about how every small curl
makes up your amazingly thick hair
No matter how amazingly short you chop it
Its power still remains
It might take long to grow
But it’s alright because the most beautiful of things take time
Take care of it
Be patient
Protect it
It’s a plant
It’s a crown
It’s a garden
It’s your garden of eden
Don’t compare it to taller trees
Don’t compare it to looser flowers
Don’t compare it to longer vines
Or even to someone else’s garden
Because it’s yours to water
It’s your tree of life
It’s your crown
And It’s an incomparable prize

 

Nicaulis Mercedes is a junior at Fordham High School for the Arts with a deep passion for creative writing and art. One of her biggest insecurities used to be her hair, but once she started reading poetry and creative pieces from people like her, she no longer felt like an outcast,since there were people out there just like her who beautifully described her features. Therefore, she decided to do the same for other teenage girls. So far in her creative journey she’s founded an online literary magazine called Journals of Color for teenagers in her community, will soon be published in an anthology titled Inside Me, has written the script for an off Broadway play titled Hidden Truths for Roundabout Theatre, and was topical winner of a national high-school poetry contest. She is thrilled to have work published in Blue Marble Review!

welcome to the happy valley

By Corey Boren

(an ode to Utah County)

take me to the land
of fry sauce
and funeral potatoes.

take me back
to mountain cradles,
unsteady weather,
sashaying cottonwood trees,

take me down skinny streets
where all the houses look the same,
matching church steeples
on every corner.

let’s head to the crusty burger king
on timpanogos highway
where i made my first $8.50—

when the high school kid
tells you the icee machine is broken
and gives too many quarters,
i’ll smile and know
that some things never change.

drive me to the sticky-shoe theater
on main street (you don’t
want to know where it got its name),
let’s get overpriced popcorn
and suckers for two.

take me to magpie city,
algae-infested lakes,
year-round construction
and roadkill,

take me where people are polite,
until they aren’t.
until i mention my transgender girlfriend
or my fascination with tarot cards.

let’s cruise down the highway,
passing tacky logos on buildings
and letters above foothills,

let’s breathe in the polluted air,
try not to get sidelined by the texting drivers,
let’s count the billboards addressing our state’s opioid addiction.

let’s park at the pond,
and trick ducks with pebbles,
and watch the sun get enveloped by
the greenery.
as it does,
maybe i’ll mention that time
i asked you
if you thought i’d ever leave,

and you laughed,
and said,
“i think you’ll stay here forever.”

 

Corey J. Boren is a junior at Utah Valley University with an unabashed passion for pop music and Oreos. He loves storytelling through both poetry and prose forms, and has been previously published in Touchstones, Warp & Weave, and Riggwelter. When not writing, he’ll be found ranting about obscure historical events and drawing bad doodles in expensive sketchbooks. To see more of his work, visit @coreyjborenpoetry on Instagram or @BorenPoetry on Twitter.

Forget

By Yuwei Dou

I fell in love the first time at sixteen years old. I met him on the beach in Los Angeles while I was on a journalism field trip. It was my third year in America, and I still had not quite assimilated into California student life. At school, some girls laughed at me because of my Chinese accent and said things like, “You speak English? You understand what we say? Your English is so bad.” They didn’t want to pair up with me in group projects and told others not to choose me. They said during a practice presentation once, “You shouldn’t have come here for high school. It’s too hard for you. How are you going to do the presentation?!”

At lunch time, most kids avoided me. In freshman year, I spent a month having lunch near the restroom. I’d sit there in the hallway, eating my homemade dumplings, thinking about what I should do to change my accent. The Asian American girls would sometimes pass me and roll their eyes, judging my clothes: “Why does she wear hoodies in summer?” I’m sure they thought I couldn’t understand them. I stayed in the corner, looking at them with no facial expressions or words. They would laugh and leave. I took my backpack and tried to cover the hoodie I was wearing. But it just did not work.

Every time I saw cute couples hanging out together in the hallways, I felt jealous. They sat together every day under the freshmen tree, smiled at each other and hugged. When it was rainy, the boys pulled their coats over the girls. In the education system in China where I grew up, the only thing students could do is study. Girls and boys, especially girls, were expected to avoid relationships in high school and college, keep their noses in the mountains of books and test tubes, but quickly get married after they graduate. During this journalism trip, all the girls had boyfriends back home. Some boyfriends were athletes, others budding scientists, others on the robotics team. At night, the girls would go out to the hallways and Facetime them. And I was always the one staying in the hotel room alone, turning on the television to the international Chinese news.

Our journalism class was staying at the hotel near Santa Monica Beach, where the roller coaster and the Ferris wheel lit up the sky at night. One evening, at the golden hour of sunset, I sat out on the hotel chairs with my leopard print sunglasses watching the sun go down. That was when I saw the glow shining on his body. All I remember now was his face. He walked directly toward me and handed me a cup of pineapple juice. It was around six o’clock in the evening, when many people had started to go back to their hotels. He took off his sunglasses, and I realized who he was.

I knew him from childhood, and our families were long-time business partners. We went to middle school at the same time, but at different schools back in Beijing. I remembered his mushroom cut back then, but my own goal to get first place in academics at my school made me pay no attention to him. Studies were my life back then. I would stay up all night and not even eat for ten hours just to study. I often stayed in the classroom after the school closed with other classmates so we could finish studying before finals.

He looked at me and smiled. He had just gotten out of the water, and the sun reflected on his abs. As a young woman who had never been in love, I thought he looked like a movie star. “Hi, pretty girl” was the first sentence out of his mouth. I should have known then.

“Aren’t you Rusal?” I asked, ignoring his greeting. I could tell he was surprised that I didn’t respond with giggles. “I know who you are,” I told him.

“Of course, I’m pretty sure I’m the cutest boy around here.”

It was really weird, the words that came out of his mouth because I knew him when he was still in primary school, when he cried near the basketball court because the teachers took his ball. But he was cute, and my stomach was full of a sudden crush and some jealousy because I was the only single girl on the journalism team. So, I smiled at him and said his last name. “Rusal, right?”

“What are you doing here in Los Angeles?” he asked.

I told him I was at journalism camp, and asked what he was doing here. “I’m on school break. I live here in Beverly Hills now and go to Sierra Canyon High School.”

The next day, he picked me up at the hotel in his dad’s Lamborghini and took me to Disneyland. I wore green shorts, a black crop top, pearl earrings, and a shell necklace, which I broke and lost in the park. I should have realized that that was a sign. But in a place like Disneyland, all the air around me felt sweet and romantic. On Mickey’s Fun Wheel, he held my hand, and we looked through the wire grate windows out at the scenery. I never thought the manmade lake could be so pretty. It was gold, with blue, flowing and shining like glitter wallpaper. I looked at Rusal, and he looked at me, and suddenly, we kissed. I’d never kissed a boy before, but it felt safe that he was someone I knew from childhood, from my homeland where people ate moon cakes to celebrate, where they understood that the Money God controlled wealth, where they believed in good luck charms like the color red, and bad luck like the number four.

I felt the door in my heart that I’d locked had suddenly opened. The next evening, we sat on the beach together, the wind of the night blowing on my face, and he put his hands around my shoulder. We looked at the stars in the sky, bright and charming, like a Hollywood romance. He told me to close my eyes, and when I opened them, there was a ring on my finger. “What’s this? What’s this for?” I asked him.

“It’s my grandmother’s ring. Now, it’s yours.” He kept his charming smile on his face. I looked at the ring, made of gold. In the middle, there was a turquoise-colored jade. From the experience of living with my grandmother, who loved jade, I could tell it was expensive and meaningful. In my culture, jade means “Forever love.”

In between my journalism camp activities, we spent time together. Over the next few days, we swam in the pool, ate eggs benedict on the balcony, and watched Kung Fu Panda. We promised to love each other forever like the white cranes that mate for life. We promised we would never ever break up. We talked about marriage and future plans. We talked about China and the food we missed from home. If I hadn’t known him since I was five years old, I wouldn’t have believed what he said.

When my journalism trip ended, I flew back to my town in Northern California. On May 20th, Valentine’s Day in China, I posted his photos on my WeChat and Instagram, and I said, “I love you so, forever,” followed by a heart emoji. He responded, “You are my girl forever.”

At that time, I began to feel good about myself for the first time. I saw myself as successful in all I did: schoolwork, writing, music. With all the efforts I put into becoming skilled at my passions, I had begun to receive what I wanted—acceptance to a journalism summer program, first place in a music competition, the slow but certain publication of my stories in American literary journals. I was back to the girl who I was in China—the girl people believed in before I’d come to America. Now I was a successful young woman who had a boyfriend who loved me so much that he gave me his grandmother’s ring as a promise.

Three months after this relationship started, I received a photo on my phone. In the image, Rusal was in a hotel room hugging a young woman who had long blonde hair and Kardashian makeup. There was red lipstick on his neck. A friend of his had sent the photo to me as “a favor,” so I wouldn’t keep trusting Rusal. Apparently, Rusal had become a player of love.

For two months, I couldn’t get away from the image. It was my first relationship, and I experienced this terrible loss. I suffered different levels of sadness that involved the consumption of cheesecake, popcorn chicken, and cup noodles. All the shining points and achievements in my life felt suddenly wiped out. I started to question myself. Maybe I wasn’t good enough? Maybe I didn’t have the right body shape? Maybe my nails were the wrong color? It was foolish but it was also like a death, the first of many deaths that I was sure to experience in my whole life. They came to me all at once, and I was like the single flower in the grassland, suddenly wind blows, I was swinging but I still stood there and stayed strong.

But a few months later, I found myself on the award stage again, this time for playing zither. One young woman came up to me afterwards and said, “You played with such a true heart and real feelings.”

I realized then that I hadn’t lost anything. Nothing but some self-confidence, trust, and pride. Sure, my young heart had been broken, but I was still myself, and I had gained a story

 

 

As a freshman at University of Iowa majoring in creative writing and musical theater, Yuwei is a creative writer, musical theater actress, journalist, page editor, and professional Chinese Zither player. She is actively involved in school and enjoys joining the community. Yuwei is a professional Chinese Zither player, a 21-string traditional Chinese Instrument for almost 2000 years old, which she has done since the age of four and already passed Level 10 at 11 years old. She enjoys doing competitions and won first place in the National Chinese Zither Competition from 2009 to 2016. She also writes her own zither pieces included: Summer; That year, that river; Childhood; Homeland grassland, Homeland river, etc. As a member of the High School Music Collaborative and the leader of PLAY Chinese Ensemble, Yuwei enjoys using music to share the joy and happiness with other people in the community. Yuwei is a creative writer, even though English is her second language and she just came to America 3 years ago, she has already won the Scholastic Writing Contest, Bay Area Book Festival Writing Competition, and the Tri-Valley High School Writing Competition as the only double winner. She got the scholarship to study Creative Writing in CSSSA in the summer of 2019. She is also the page editor of Amador Valley Journalism class. She always tries her best to make the school and the Pleasanton Unified School District better as a leader in LINK, an active member in Pleasanton SIAC and a student representative in LCAC and DCLC. In her free time, she enjoys listening to music, reading books and cycling.

Intimacy in an Era of Social Distancing

By Aditi Desai

When I think of my mother, I can picture her eyes smiling at our guests — from familiar relatives and friends to newly acquainted coworkers. Her eyes would be curved into bent crescents, creased at the edges like wrinkled grapes. Below her eyes, I see a quick dash of rose blush blended with brown concealer as if her face were a palette of diverse pigments. Just a few minutes ago, she was getting ready for the guests. I like watching her; I like seeing her paint on her freshly washed skin like an artist in-the-making, seeing the twinges of excitement for the night ahead spearheading her rapid movements.

I think about the mantra my mother preached to me, her only daughter: A good hostess will array wine like bowling pins, clear shelves of clutter, and braid lights across the staircase — do whatever it takes to make the house tidy. A good hostess will cook with an apron made of metal armor, ready to mold stif dough into delicacies. An excellent hostess will make herself presentable because she is the first one to unlock the door and greet guests.

Indians are notoriously known for “over preparing” most things — for flashy, five day weddings, feet-touching for blessings, soft bread piled into guests’ plates. We’re known for our hospitality. We’re known for shamelessly sending our guests home with bundles of leftover curry packaged in secure tupperware, for giving a hug rather than a handshake when sealing a business deal. For my family, hospitality is a way to help those who cannot be helped. My father used to ask me what I would do to help a king. Would I bring him a jeweled crown or elegant, aromatic meals? None of the above; the king already has all of that, I would respond. Exactly, my father continued, but you could invite him to your house as you would a guest, listen to him speak about his experiences, and make him feel comfortable. You can always give your presence and open ears to even the richest.

As firm believers in the “guests are God” dogma, my family makes no shortages in inviting guests to our home. Weekends are booked from morning till sundown with my brother and I put on tidying duty while my parents finish hovering over stovetops. Initially, I didn’t understand why my parents would race around the house hours prior to extended-family dinners just to rearrange couch pillows or spray vanilla-scented air freshener in the basement. The guests aren’t even going to see the basement, I would reason. However, over the years, I, like my parents, have memorized the precise geometry of dining room placemats and silverware. During family dinners, I’ve learned to take my seat at the table after everyone else has. My parents have trained me to lead small, polite conversations with guests, to smile at their jokes, and to pick up their dirtied napkins. I’ve learned to not question the imbalance of power between a houseguest and host, apologize if guests are unhappy, and meet their initial hesitation with a dutiful embrace. My people, my family, despite not working in the hospitality industry, are masters of service and caretaking.

When New Jersey enforced a mandated lockdown in early April, my family was not worried about not being able to host events or dinners. Although disappointed, they understood that health and safety rank above hospitality. Yet, although my parents were able to put my mother’s newly purchased dinner placemats into storage, they felt a much deeper remorse when shutting customers out of our family-owned wine shop. Since allowing customers to explore the shop and interact with employees is so central to their business, my family has found closing doors to be particularly painful.

How well do you know your customers? I’m sure they’re doing alright, I tried speaking to my father as he stared down at his curry one night during dinner. He paused, as if recalling a previous moment: I may not stand shoulder to shoulder with them — I’m across the counter whenever I see them, he chuckled. But, I know that Ms. Neiley picks up her order every night at 7 P.M; Joseph from the downtown train station always stops in to ask about sale items before lunch. I know that Christine from the hair salon complained about our slow delivery, so we tried to get her wine delivered quickly. I know that the boys soccer team comes to our shop first during their annual holiday fundraiser because they know we always offer candy. I was taken back by my father’s specific descriptions of distinct customers. I assumed his interactions to be momentary, fleeting glances, a quick exchange of dollar bills, followed by a brief, dim smile. Yet, his relationships with customers were like spontaneous friendships, crafted with care and concern. As a skilled host, he showed his customers the same warmth and companionship he did to friends and family.

Now, with lockdown rules slowly easing, my parents grin as they get back into the wine shop and watch customers approach, one by one, six feet apart, some wearing bandannas around the lower half of their faces and others voices muffled by surgical masks. Routine customers make their way towards the dimly lit wine shop and pick orders up from a table which leans against the doorway. They smile with their eyes, just as my mother does, as they wait in the short line.

On the shop’s glass window, my father hangs up a sign which reinforces social distancing and curb-side pick up regulations. He winces as he finishes taping the sign; the rules about maintaining physical distance are an inherent antithesis to the Indian ideal of hospitality, which encourages us to bring people closer and nearer to us. Distancing is a ritual we still aren’t comfortable with. My parents have traded natural, over-the-counter conversations with customers for momentary glances and weak hand waves. It is a bitter juxtaposition, yet one which reminds us of the community we have built through the wine shop and our hospitality mantra. Routine customers are loyal; they are undoubtedly present in the line outside the shop each day when they don’t have to be. Out of the corner of my eye, I spot Christine waiting patiently as she tugs on her loose ponytail. Behind her, Ms. Neily is paging through a HomeGoods furniture manual with a ballpoint pen in hand. These customers choose to support my parents’ business and reciprocate their companionship, their hospitality, even in times like this.

 

 

Aditi Desai is a first-year student at Princeton University looking to study Neuroscience and Health Policy. She loves to read investigative journalism pieces which touch on the complexities of human health and mental wellbeing. Furthermore, she enjoys writing, running, hiking, and spending time outdoors!

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