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Blue Marble Review

Literary Journal for Young Writers

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Issue Seventeen

Songbird

By Isabelle Kang

She was his sweet child, fair and spring-like and blowing in the wind. A vat of English cream; a sugared wine; thick honey in one’s tea. At night, before he slept, he saw her golden face quirked in that everlasting smile, the expression always still, the wind mussing the strands of her hair. It seemed to him like a picture, or perhaps an infinite scene in a movie, in which she remained forever-young.

They met at church. Her family only came a few times every year, mostly on Easter or Christmas, occasionally on the rare Sunday, if the children accepted it, and the mother felt particularly devout. He had been there on one of those rare Sunday mornings, sitting in the pew, mopping his brow – humid, July – listening to the sermons. Then the choir was introduced, and there, bathed in the morning light, stood the newest member of the congregation, a short and delicate girl of twelve-or-so, dressed in her robe, licking her lips until they were moist. Her voice came to him tender and unripened, tart upon the mouth like a fresh wine. Her very face allowed the hymns to pass through her like a shuddering wave of pleasure. It was then that he knew she ought to be his child, a little one to nurse and advise and walk among the church with, whispering secrets and sworn to the other through unbloodied ties.

After the sermon he had introduced himself and complimented the girl’s singing. He’d asked for her name.

“Winnifred,” her mother said, “but she prefers Winnie.”

From then on he held her name close to his heart. He found himself shivering at the very sound of it, shivering all the more if he said it aloud. One morning, walking to church, he saw her like a ghost skipping beside him, hair gold and fine, radiating strong smells of shampoo warmed by the sun. She stayed beside him throughout the service, and he imagined she was fidgeting with something beside him, head locked into concentration, her nose bunched into a gentle scowl.

In the evening, as he made dinner, she would dance across the floor, sweeping her skinny legs to fast-paced music, and at night she would ask him, “Tie my shoes, won’t you?” and run off into the yard, laughing devilishly. Sometimes when he was driving, he would look into the rear mirror and imagine her sitting there, imagine how her body would glisten with excitement, how, in the heat of the summer, he would watch sweat weep down her face. He would buy her candy from the gas station near his work; he would pick her up in his arms; her laugh would fill the empty house.

One Saturday he saw her walking home from school, hair like fine strands of gold in the afternoon light. It settled upon her shoulders in waves. He decided he was going to talk to her. He’d built up the nerve. He had his words lined up in front of him.

“You’re Winnifred,” he said, pulling up beside her. “Am I right?”

“It’s Winnie.” With delight, he watched her pick at the hem of her dress, knobby knees poking out under her skin.

“Sure,” he said. “I like your dress.”

“Thanks.”

“Are you walking home from school?”

“Yeah.”

He paused to look at her. “Need a ride home?”

“Okay.”

He opened the car door. She sat down beside him. “Thanks,” she said.

“Sure. Mind if I make a quick stop before your house?”

“Where?”

“I need something. It won’t take long.”

“Okay.”

He drove off.

They reached his house not long after. He looked over at her. She was sitting with her knees pressed against the door so hard they were turning pink.

“It’s too hot in here for you to stay,” he said. “You should come inside.”

He opened the door and reluctantly she slid out. “What do you have to get?”

But he didn’t answer. He unlocked the door and showed her inside. “Stay right here,” he said, “I have something to show you.”

She stayed still, standing evenly between her two legs, hips rigid and arms holding onto one another. He ran to the top floor of the house. At the top of the landing there was a room painted pink, mostly empty save for a couple of magazines and a stack of women’s clothes. There was a box, too, a white cardboard box with a red ribbon.

She was still standing there when he got down, legs and feet sewn tightly together. “Is this what you had to get?” She stared at the box, eyes drawn to the bright red ribbon.

“It’s for you.” He gave it to her, but she didn’t open it.

“Thanks,” she said, “but I really have to get going now. I can just walk home the rest of the way.”

“Wait,” he stepped towards her. “I want you to tell me what you think of it.”

She looked down at the box. Her hands couldn’t hold it steady. “Okay.” She set it down and loosened the ribbon. Inside, there was a white silky dress, spaghetti-strapped and trimmed in a cheap lace; the fabric pooled into all corners of the box.

“Do you like it?”

She picked it up. It dripped from her arms. “Thank you very much. I love it.” But her face was cold as stone.

“You have to tell me the truth,” he said, reaching forwards for her arm, “you have to.”

“Stop it!” she said, backing away as the fabric rolled with her. She trembled; a sweat was brewing on her forehead.

“I need to know,” he said, “just tell me what you think of it.” But she kept walking away from him. He was scaring her. So he stayed still as he watched her fiddle with the door, then as she opened it,— and fled outside.

The dress remained on the floor. She’d dropped it. Weeping, he placed it back into the box and carried it upstairs, put it next to the other clothes in the pink room. He cried – for the emptiness of the room, for the beauty of the light coming in through the window, for a beauty he had no one to share with.

For how long, he wondered, could he live in a house so cold? He watched the dress as it simmered beneath the sunlight. He put the top of the box back on. How long, he wondered. How long before he peeled away?

 

 

Isabelle Kang is a seventeen-year-old Korean-American writer. She attends Denver School of the Arts for Creative Writing, and has been published in the school’s literary magazine, Calliope, for four consecutive years. She enjoys incorporating her writing into other interests, such as music, painting, and psychology.

At Dusk the Icebergs are Invisible

By Kathryn Zheng

The apple cider spilt over Michael’s only white shirt is already turning an undeniably distasteful shade reminiscent of old petroleum. Remarkably, the ping-pong ball Sean had attempted to direct towards him is perfectly lodged inside his plastic cup. Less remarkably, his hand still tingles from the sudden, forceful impact of that ball. He wonders, briefly, if this means he’s lost the game, even though they’re still five serves away from the match point.

“Don’t just stand there, Michael,” his mother snaps. “Ai ya, go clean up.”

“My fault, Mrs. Yang,” Sean pipes up cheerfully. “Got too excited—I’ll help him clean it off.”

Predictably, his mother’s face softens. Facing Sean’s parents, she carefully intones, “See? Sean good boy. When I ask Michael to help, only whine, whine, complain.” Even more predictably, she turns to smile widely at Sean’s mother. “But Sean help.”

“Not true. See, you say because Sean not your boy. Too much strange thoughts. Never think of future. Michael choose college already. Sean still don’t know,” Sean’s mother says, shaking her head. The instinctive straightening of her back, though, reveals her pride.

Sean rolls his eyes and plasters on a wide smile. “Come on, dude. That’s gonna stain permanently if we don’t get it out soon.”

Michael tries to ignore Sean’s hand on his back as he’s guided to the bathroom, but Sean’s touch is impossibly delicate yet firm—and when that hand slips down half an inch to Michael’s waist, his heart begins to beat out of his chest.

He wonders if Sean knows, then. If Sean knows about how Michael had sat down with his mother a month ago to broach the subject of dating. About how his mother had first been indignant, wondering how he’d withheld the presence of a girlfriend before he quickly assured her there was none. About how she’d then been excited beyond belief, rattling off the numbers of Chinese girls whose mothers she knew through WeChat. About how he’d had to reveal, painfully, that the last time he was attracted to a girl was in the third grade. About how his mother had been perplexed until he finally stuttered out that damning three-letter word. About her tears, about her refusal to tell his father, about her continued efforts to match him with “good, smart Chinese girls.”

When Sean’s hand caresses his shoulder, though, Michael’s certain he has no idea. Sean’s free with hugs, with ruffles to his hair, but he wouldn’t be so free with those affectionate gestures if he knew how Michael could feel about them. (How he does feel about them.)

The thud of the bathroom door behind them turns his attention back to the stain. Sean screws open the faucet, the water crescendoing to a pounding drumbeat on the cracked porcelain sink. Michael squirts some soap into his palm and starts rubbing the stain, Sean watching over his shoulder with a furrowed brow. Finally, Sean sighs.

“You’re doing it wrong, dude,” he says patronizingly. “Do you need me to show you how to get it out?”

Michael’s sure he could remove the stain, yet he lets Sean reach over his shoulder, take hold of his shirt, and start scrubbing the folds of the fabric. His dark eyes, narrowed in concentration, are half-covered by his long eyelashes, reminiscent of a blackbird’s delicate feathers.

“So, have you seen Lisa’s new hair yet?” Sean asks casually.

“Um—” Michael wracks his brain for a Lisa. He must look thoroughly confused, because Sean lets out another sigh.

“Hot pink-haired girl with the glittery skirt? Used to have glasses? Lisa Hwang?”

“Wait. That was Lisa?” He remembers the girl with bubblegum hair sitting on the basement stairs, chatting into an iPhone. He also remembers Mrs. Hwang’s daughter, a shy girl who’d spent more time picking her nails than making eye contact. When she committed to Cornell the year before, her mother showered her with praise until Lisa’s face turned so red that it looked like she, not her mother, had been the one downing glasses of plum wine.

“Ithaca’s been good for her,” Sean remarks.

“She’s changed a lot.”

“Well, that’s what college is supposed to do, right? She looks—well, chiller, you know? Happier. And seeing Lisa—it got me thinking about stuff.”

“Stuff?”

“Future stuff. Like, um. I’m thinking of turning down Berkeley.”

“What?”

Like every good Asian boy, Michael had dreamed of attending Harvard when he was eight. At fifteen, he’d discovered the weaknesses of Harvard’s engineering concentration and designated Berkeley as his new dream school. At seventeen-and-a-half, he’d clicked on the link to his application portal with trembling hands to find an acceptance letter from Berkeley and cried for the first time in two years.

“You’re turning down Berkeley,” he repeats slowly.

“Thinking of turning down Berkeley,” Sean corrects. He stiffens, leaning against the bathroom wall. “I wanna leave California, you know? And I have acceptances from East Coast schools that are just as good as Cal.”

“But you’re majoring in computer science,” Michael stares. And you wouldn’t leave me behind, would you?

Sean smiles carefully, bitterly, and Michael’s heart aches so much his left hand goes numb.

“Haven’t you ever dreamed about just getting out?”

And God, how he wishes he could say yes, yes, a thousand times. But then he would have to explain why someone like Michael, who learned the piano because his mother told him to and did research with a professor because his teacher wanted him to and joined the cross-country team because his father told him to and is majoring in electrical engineering because his classmates expected him to, has any wish, any ability to become independent. He would have to explain why he wants to leave the cage that was built by his own trembling hands.

He settles for a shrug, imitating Sean’s stiff stance. “But you’ll have to come back, won’t you? If you want to work for Facebook or something.”

“Well, Google has offices in New York,” Sean counters, letting go of Michael’s shirt. “Scrub a bit more. It’ll come out soon.”

“But why would you want to leave?” Michael presses again. “People used to say California’s streets were paved with gold for a reason.”

“They also used to say anyone could live the American dream if they tried hard enough, but your grandfather ended up scrubbing plates for twenty years anyway,” Sean replies grimly. “Michael—some of us want more, you know? It’s—like, if I were to stay here, I already know where I’d end up: in a nice polo shirt with a nice, expensive car and a membership to a nice, exclusive country club by my forties. But then I’d be like the passengers on the Titanic. Drifting along in the night, looking for some elusive miracle—something to wake up for—all while an iceberg looms in the distance. And I couldn’t stop myself from crashing into it, because I wouldn’t be steering the ship anymore. And I wouldn’t know where the iceberg is, because it’d be invisible in the dark. But it would still be there. But if I leave, maybe there’d be other paths open for me. And sometimes I guess I just think about doing something I actually want to do, you know? Being really, really happy.”

Yes, I do know, Michael wants to scream. But what does he have to scream about?

And the worst thing is, he sees it—everything—so clearly already, like he knows the choice Sean will make before he’s made it. Sean steering clear of that iceberg, leaving California with a smile and a heavy burden lifted off his shoulders. Sean, somewhere in New England, laughing wildly at a frat party, arms slung around two girls who look at him like he’s Adonis. Sean slow-dancing with a girl who’s everything Michael isn’t, everything Michael could never be, moving in sync with her like two figures in a music box. Sean working at Google and becoming the most innovative person in the room, in every room. Sean thriving, never having to settle for Friday nights at Chinese parties. Never having to settle for Michael.

“I guess,” Michael says, willing his voice not to waver, twisting the bottom of his shirt in a futile attempt to wring out the water. “Yeah, I guess I get it.” He forces himself to smile, hoping his eyes aren’t too red.

“I haven’t decided yet, anyway,” Sean sighs. “I might stay here, you know? We could be, like, the big guys at Berkeley and all. That’d be cool too, wouldn’t it?”
Michael nods, hoping Sean isn’t just saying that for Michael’s sake and really does think, somehow, that he’ll stay in California. The concerned look on Sean’s face, however, tells him it’s the former.

“Anyway, we should get out of here,” Sean says in a cheerier tone, motioning at the door. “I’ve got to win before I go, right?”

“Right,” Michael echoes. But Sean’s already stepped out of the bathroom, letting the door close behind him before Michael has a chance to leave.

 

 

Kathryn Zheng is a senior at Tenafly High School in New Jersey. Her writing has been recognized by the Scholastic Art and Writing Awards and the National Council of Teachers of English. Outside of writing, she enjoys learning languages (currently, her passions are Turkish and Spanish), immersing herself in the world of politics, and playing the ukulele.

The Stranger in Salamander

By Evelyn Wang

The town of Salamander is not named after the animal, but its founder, a man named Salamander Freedom. 

Whatever ambitious future Salamander envisioned for his town, however, has long been abandoned.

In the summer, the sun hangs high, like some forlorn guardian angel of the town. Sunlight mingles with dust, scattering long, swirling, heavy shadows. Most people know the dry anger of the sun better than their own neighbors. The sky taunts the town, a jeering shade of never-ending blue as flat as the desert itself. Clouds are scarce, and rain is few and far between.

All buildings in Salamander are made of tired, uncertain timber. Some houses sport parched, splintery columns and winding, rickety, staircases, illusions of splendor. Nobody knows where the wood came from; there isn’t a tree for miles around. Every now and then, the town will sigh, a long, exhausted, complaint, perhaps against its own existence.

Day and night, heat oozes through crevices and corners, coating the town in inescapable stickiness.  Residents loiter aimlessly, made drowsy by three-digit temperatures.

Once, the people of Salamander prided themselves for being “resilient,” but it’s no secret that resiliency doesn’t make the sun shine any less brighter. 

Occasionally, a battered truck will drive by Salamander, pairs of eyes following the rare traveler until out of sight. Some hope they can hitch a ride out of town. Some have given up.

On one July day, when even the sun has tired of itself and the line between the land and the sky has started to shimmer, a stranger stops, engine sputtering, at the only bar in Salamander.

He drives an ancient Ford pickup, long past its heyday, shrouded in nearly as much dust as the town itself. Its once vibrant teal color may have told tales of youth and recklessness at one point, though in recent times the shade has come to resemble that of peeling wallpaper.

The stranger enters the bar. In a way, he resembles his truck. He walks with quiet dignity, a strange sight in Salamander. Wrinkles line his face, byproducts of old age and hard labor. His hands are gnarled and knobby, like the trunk of an oak, and his expression is solemn, like a priest.

Though it’s only eleven in the morning, the regulars have already occupied their usual spaces. Lazy, golden, sunshine streams in through stained glass windows, bathing the bar in pools of mottled light. Up above, a fan whirls desperately, forever fighting a losing battle against the heat. Somewhere in the distance, a radio softly blares a mix of country music and static. Tired, droopy faces stare into empty cans of Miller Lite, though today, they have reason to look up. It’s not every day a stranger stumbles into Salamander.

The owner of the bar, a stout, balding man, eyes the intruder with suspicion. He’s owned the only bar in Salamander for fifteen years. He’s served the same people the same drinks in the same places and would very much like to keep it that way. 

Unperturbed, the stranger takes a seat at the counter, turning several heads.

The owner is the first to break the silence.

“Who you?” he grunts. 

The stranger looks the owner in his steely blue eyes.

“Just passin’ by. Ain’t tryin’ to cause no trouble.”

The stranger’s voice is low and gravelly and carries the slightest hint of a southern drawl. Satisfied with his answer, the owner nods. 

“Do you want sum’n?”

“Whiskey. Neat.”

The stranger is given his drink and the owner retreats, ready for the intruder to be on his way.

Out of the corner of his eye, the visitor spots a worn poker table in a far corner of the bar, dusty with misuse. A stray ray of light illuminates the space, a jarring moment of beauty against the decrepit table. 

To his dismay, the bar owner sees the stranger eyeing the table, a relic of a past life.

Once, a lifetime ago, the owner made thousands of dollars at the hands of poker chips and pairs of aces. He had a gaudy nickname too, one he was proud of, a simple phrase he would flaunt endlessly like a trophy. 

The whole town knows his name, though he hasn’t touched a deck of cards in nearly a decade.

For the second time, the stranger looks the owner in the eye, though this time, he holds an empty pint glass. The owner clears his throat, an awkward motion. The stranger speaks.

“Tell you what. Let me play you in poker. One round. If you win, I’ll get out of your hair, but if I win, you owe me another drink.”

The owner laughs, a cynical, hoarse bark.

“I’ll get you another drink. On the house. Jus’ don’t talk with me no more.”

The stranger remains unfazed.

“Well, you could do that but if you win you don’t have to give me a drink and I’ll leave so ain’t it better for you?”

Begrudgingly, the owner accepts the challenge. He’d rather not play, but he’d also rather not look like a coward in front of his town.

It’ll be a chance to give ‘em a taste of who he once was, he thinks. A homecoming, of sorts.

By now, a small group of regulars have gathered around the stranger, thirsting for any hint of adventure. With whispers, they place bets on how long it’ll take the stranger to surrender. They look to the owner with anticipation, ready to watch him defend their town.

One of the regulars volunteers as dealer, and the game begins.

Save for the soft mechanical whir of the overhead fan, the bar is silent.

The men are dealt two cards each. Though the cards are worn, their edges scuffed and yellowed, they carry an air of familiarity. Five cards are placed in the center, daring the two men to act. Both men are given chips, round, colorful, circles of smooth plastic. The owner hasn’t realized how much he’s missed the subtle feeling of cards at his side.

The stranger bets, and the owner raises, confident in his hand. The stranger calls, and three cards in the center of the table are upturned.

Almost habitually, as if second nature, the owner parses through his choices. Meanwhile, the stranger, whose expression is serene as a Tibetan monk, sits in silence, observing.

The betting continues until the fourth card is turned, then the fifth. Self-assured, the owner continues to raise the stranger’s bet each time. Then, both players reveal their hands. 

Combined with the cards in the middle, the owner reveals a full house, two sevens and three jacks. Solid. It’s the fourth best hand in the game. The onlookers nod in approval, ready for the stranger’s imminent defeat.

Unblinking, the stranger watches, then flips over his own cards.

It’s a royal flush, the best hand in the game. A 10, Jack, Queen, King, and an Ace. 

The owner can only watch, mouth agape. He tries to speak, a single utterance of protest, but the words just won’t come out. The regulars gawk from afar, eyes wide with half shock, half wonder. They came for a show, and they got one. 

The stranger stands up, and walks out of the bar, as silently as he entered. Behind him, the door croaks in defeat, the stranger’s only form of farewell. Maybe he forgot about the drink the owner owes him, or maybe he already found what he was looking for.

In the distance, an engine sputters to life, and the stranger is still a stranger, a teal blue blur streaking across an empty road. Ever-present, the blazing sun swallows the stranger, and for the first time, the owner is left questioning where he went wrong.

A pang of emotion strikes his chest. Perhaps nostalgia, perhaps sadness. He recalls a time when he was the one racing across barren deserts, searching for excitement, ensnared by the promise of success in a sun-baked slice of nowhere, only to be relegated to a tidbit of local lore.

The regulars return to their usual spots, muttering under their breaths about how the town ain’t the same no more. They glance at the owner, shaking their heads, shameful. 

Everything is back to normal in Salamander.

 

 

Evelyn is a freshman in high school from Illinois. When she isn’t staring at an empty Google doc, she enjoys watching copious amounts of Netflix, fawning over her cat, and occasionally playing the piano. This is her first time being published. (:

 

Over It

By Taysha Martinez

Throughout middle school I was a very anxious child, I got fidgety thinking about the small things and I had little to no friends as a result of being nervous to talk to anyone. I developed a habit of biting my nails, my stomach would always feel uneasy at the thought of presenting in front of the entire class, and I couldn’t bring myself to talk to others. There were specific moments where I couldn’t work up the nerve to ask questions during class, or walk across the lunchroom without thinking everyone was whispering about me.

Despite all of this, though, I somehow managed to make a couple of friends. I never quite got that close to any of them, which is why I barely talk to anyone who I used to know from that time, but they did help me through a lot of what I was experiencing throughout those years, letting me rant and making some of middle school fun for me. I also wasn’t that bad of a student. I was shy, but I wasn’t a slacker in my classes, I knew how important it was to my parents and I made sure I kept focus on my grades.

As I transitioned from seventh grade to eighth I reminded myself of how good of a student I was, encouraging me that I would be fine as I transitioned between these grades. For some reason, though, I failed to feel the same as I was finishing up the last few months of 8th grade and prepared myself for my first year of high school, now it felt more real. I felt as if this was the big moment, this was the decider of whether or not I make it in life, whether or not I’d get into a good college and make a future for myself.

Regardless of knowing that not only thousands of people succeed and graduate high school, but also how trustworthy I was with my classwork, I continued to feel anxious about the transition. I knew it was something very common, almost everyone goes through high school and it’s not like everyone’s life turns out awful, but there continued to be this pit of self-doubt and fear in my stomach. Throughout my last few weeks of 8th grade, there was a continuous loop of different scenarios for how I could mess up high school running through my head. They ranged from small little things like forgetting to study and failing a quiz, to being too shy to ask a question in class and ultimately falling behind and flunking.

A few weeks into the summer I found out that on top of all of this, I wasn’t going to be seeing my middle school friends in 9th grade. I wasn’t going to be attending the high school I’ve been looking forward to, the one I’ve been preparing for; I was switching schools. The scenarios got worse, not only was I know imagining myself losing myself on campus and being late to every one of my classes, but I also saw myself sitting at lunch alone, on my phone, unable to build up the courage to speak to anyone around me. My doubts got bigger. How was I going to survive without my friends by my side? How was I going to keep up with the pace of this new school? How was I ever going to fit in and figure all of this out?

It was hard and lonely for a while, but looking back, it could’ve been worse. My first day was the worst out of all of them, though. I spent the whole day alone, running those dumb scenarios through my head of how I would ultimately mess up my future during what seemed to be the most important years of my life. I walked the hallways on my first day, terrified of what people would think of me. Everyone here already knew each other, I would see people hugging and telling each other about their summers from the corner of my eye as I sat alone at lunch. I sat in class after class, surrounded by strangers and scary faces, being warned about how challenging it was going to be, how if I dared to slack off I’d fall completely behind. I was terrified.

Months went by during my first year before I finally started socializing with people and feeling comfortable around the school, but once I did, high school wasn’t that bad. It wasn’t like I instantly, out of anywhere, got the confidence to convince myself that I was going to end up ruining my life during these years, but over the months I felt comfortable enough to get the hang of everything.

I ended up memorizing where all the classrooms where, I no longer sat alone at lunch, I got used to the change of pace, and in the end, I turned out to not be that bad of a high school student. I was passing my classes, building connections with students and teachers, and overall getting comfortable in what used to be a new and scary environment. As of now, I do not only have a group of friends I can trust and spend time with, but my life is also not a complete train wreck. If my past self could see me as of now, she would be surprised to see that I didn’t completely mess up my life.

Looking back at this, if I’m being honest, I was completely exaggerating about this. At the time I thought it was the end of the world, that there was no possible way I could successfully complete high school without messing up my life. Despite my doubts, the opposite turned out to be true. I did not completely mess up my life, and I didn’t flunk out of high school! I got the hang of things and turned out all right.

Whenever I’m about to go through seemingly big life transitions, I look back at these moments that once seemed big and scary but ended up completely okay. When I went into junior year as everyone told me it was going to be the hardest, I looked back at these small moments. When I started dual credit online, confused about how blackboard worked and nervous about how I manage my time, I looked back at these small moments. What seemed like big scary moments turned out to be small milestones throughout my life, and as I continue to reach others that seem intimidating to me I look back at the ones I have accomplished to reassure me of everything.

 

 

Taysha  is a seventeen-year-old girl attending the International Leadership of Texas in Fort Worth, Texas as a senior. She was born in Puerto Rico and moved to Texas when she was very young. She typically likes writing about past feelings, emotions and overall mental battles she has gone through in the past.

 

Story of a Butterfly

By Ka' Dia Dhatnubia

My mom likes to think she was born from a star. When she fell to the earth, she likes to think she became a cocooned butterfly. She said it helps her explain why she feels so separate from a family her birth certificate says is hers. She spent her childhood and a good part of her young adulthood trapped in an iridescent chrysalis, terrified to come out, to speak, to have an opinion.

She loved books though, the way all kids do before they are told what to read. She was first told what to read when her mom and dad snatched her from the classroom and dropped her into a school of their own machinations. Attendance was optional, since they didn’t register with any official homeschooling organizations. Lunch was occasional. Sometimes it was just candy, which is why she never really rewarded my siblings and me with candy growing up.

Her dad taught from his own history books, twisting African traditions and civil rights activist doctrine to serve his own agenda; essentially, women were subservient, i.e. his wife and daughters. English was considered the language of the white devil, so she and her siblings were taught Swahili, at least whenever he was sober enough not to slur the words—so, not that often. They were not to argue that 2 + 2 was actually 4 and not 6. If they did not speak to agree, they did not speak at all.

My mom used to write, used to love writing, painting, creating. Now, she likes numbers. She likes the control, the linear problem solving. She played bank when she was a kid, not with manufactured toy money that came with the cheap plastic cash register; no, she drew and cut out her own bills. She doesn’t draw anymore. But she colors with her children, inside and outside the lines.

She had me, the first of five, when she was nineteen. My dad tried to propose. Her dad forbade the marriage, feeling his position of control was being threatened. It’s amazing how much control her father held, despite his being blind.

Still, she was a kid with a kid, living with her parents, a cocooned butterfly in a nest full of agoraphobic birds. Once the birds tired of doling out their false doctrine, they made her go to school for art, a harmless degree that wouldn’t take her away from them, wouldn’t give her power, autonomy. Then she went to school for hair; she had a little more say in this decision, since we had moved out by then. Finally, she went to college for herself.

She told me she started wanting better because of me. She said after coming home from a late night out clubbing, I, three years old at the time, was still awake. I apparently asked her why she was never there when I needed her. I don’t believe her. I think she’s strong enough to have wanted to change all on her own.

My mom and I kind of attended school together. We compared our math classes, even though her math dealt with money, side by side, struggling together. She let me do all the things she couldn’t do: band, volleyball, chess competitions, debutante programs, and plays. Whenever things would get too hard, whenever I thought I couldn’t balance it all, she’d say, “Always finish what you started.” It made me think longer before I started anything after that. So abundant and free was her support, I actually cried before telling her I didn’t want to play the flute anymore.

The presentations were the worst. For her, not me. I was never afraid to speak in front of people. I never will be. My mom made sure of that. Although my young tongue was too small for my big thoughts, my misspoken musings were never brushed off as childish babbling. Sentences were like nonsensical alphabet blocks stacked by eager hands. Knock them down and build again. She never lashed out at me for the mess.

Her parents weren’t so patient. Her thoughts were treated as nothing more than refuse, washed up on a shore of paternalistic dismissal. She chose not to waste her breath, until she eventually forgot how to breathe. Her lungs felt too large, her tongue too foreign. College asked her what she thought and waited for her to answer; the silence, too great to fill, swallowed her whole. The stones of her youth, tied to her ankles, dragged her down down down back to childhood habits, where she didn’t have to speak, didn’t have to risk being wrong.

But she always finished what she started, so, like everything else in her life, she pushed through it. We later discovered “it” was actually anxiety. We only found out because my own diagnosis reminded her of her own experiences.

Slowly, so slowly, she peeked out of her cocoon, whispering thoughts that used to live and die in her head. Quick little deaths with no eulogies, buried in unmarked graves. These thoughts were different—solid, tangible, loud. She was living her own life now in the big wide world that didn’t fit in the box her dad built. She was learning more than could be held in her head, excess spilling past her nervous lips.

My mom knows what she’s talking about. No one can tell her otherwise now. They can try. I dare them. When I graduated high school, she graduated college, for the fourth time, this time with her masters. She’s put in her 10,000 hours. No one can tell her otherwise now.

I am the product of her labor, her lifelong thesis. I am the river formed from her demolition of mental dams. We are not without flaws. We struggle to rely on others because others have been unreliable. We are strong, black women in the most destructive way possible. But we are not without a drive to be better, she better than her parents, me better than mine. I stand on her shoulders, supported. She’s since laid her burden by my river. I hope I’m enough for her.

Without it, her wings flutter and flex and gain their own strength. It’s a wonder to see. Most grow up thinking their parents are fully formed human beings, incapable of changing, growing, learning, because they’ve already done so. They’ve completed their adult training and reached the plateau, upon which they will spend the rest of their lives. I have the privilege of giving her what she’s given me: comfort, support, and self-confidence.

My mom, my dad, my younger brother, my three younger sisters, we’re all we got. We’re learning together, jumping the hurdles, evolving, defining and redefining who we want to be, what we want to do, together.

There was a particularly stressful time, when mom and dad were both attending school at night and the four of us kids had to be everywhere all at once and extended family reared their ugly heads as they do during times like these just to make things worse. We all came down for breakfast one morning and Mom slapped a printed piece of paper on the fridge, tacked it up with a magnet. It read: “I will give no negativity any energy. —Dhatnubia Family Motto.” I live by that motto to this day. Mom’s got a thing for mottos and so do I.

If my mom likes to think she was born from a star, I like to think she didn’t fall from the sky. I like to think she’s a supernova. What once was a quiet twinkle is now too bright to ignore, too colorful to comprehend, too powerful to control.

While all of this is true, inside, she is still that same shy, curious butterfly that’s learned to color outside the lines, create her own money, and read her own books again. And all this talk of butterflies and stars helps define how much of a process it is to become who we are.

 

Having won scholarships based on academic merit, Ka’Dia Dhatnubia completes a BFA in writing at the Savannah College of Art and Design. She also writes regularly for the school’s online fashion publication, Manor, and serves as Manor’s head copy editor and associate editor, advancing her expertise in professional editing and project management.

semi-colon

By Syie

The days of pain she undertakes;
The nights of crying that force her body to

s

h

a

k

e;

Will be forever stained in the tears under her eyes;
And in the scars on her thighs;
Blood

ca

sc

ad

es

from the razor;

As she looks for a savior;
She will finds one;
Her search, now, finally done;
Because she knows that she has a friend;
Who won’t dare let her life soon end;

 

Why the name Syie…?

I wasn’t born with Syie as any part of my name, nor did it come from some text that I read. It’s a completely made up name for my equally made up religion. In that religion’s language/dialect, the word, “syie” means “warrior/fighter of many battles”.  I don’t just have mental illnesses, but I was born with a genetic mutation that causes Cerebral-Palsy-like symptoms, such as impaired speech, difficulties with tasks like writing by hand, etc…    I think that my physical disability is what made my emotional disorders so much worse.  For about seven or eight years, I’ve been battling with depression, anxiety and suicidal tendencies.  Due to my physical condition, I’m somewhat withdrawn and do not have that many friends.  So I turned to writing to cope with the day-to-day struggles and stress of never being able to keep my own body still. I did somehow manage to be still enough to get a tattoo of the ; on my upper left arm… after I wrote the poem, that is.  I type all that to say: I think I’ve earned the name Syie, and I’m never looking back.

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