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Blue Marble Review

Literary Journal for Young Writers

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Issue Three/Fall

Striving for Oblivion

By Elli Ratner

Am I dead?

I don’t think so.
I hear voices, but I cannot quite make sense of them. They seem far away.
I hear my heart in the beeping of a machine. Too fast. Then too slow. Faltering. Panic in the voices around me. I am sliding in and out of consciousness. My senses are beginning to dull. I can no longer feel the cot beneath me or the voices around me. I am a feather drifting away. Gravity has released me and now I am shooting across the solar system at a thousand kilometers per hour. All around me is blackness. I revel in the alluring emptiness.

But gravity has decided to take a hold of me again, dragging me back down to Earth. I try to resist but now I can feel the cot beneath me and the soft cotton of the blanket draped over me. I try to move but there is a pain in my arm. Something sharp moving under my skin. I force my eyes open. Everything is hazy and it takes me a few seconds before my vision clears. The culprit preventing me from moving is an IV needle, taped onto my elbow crease and hooked onto an infusion pump, which is dripping a clear liquid into me. I feel the chill of the liquid that is being dispensed into my veins.

As a matter a fact, I am hooked to several machines. I suppose I must be in a hospital room. The walls are a faded yellow. In the right hand corner there is a paper towel dispenser above a dark blue counter with a sink. The color matches the leather chair next to my bed. The one my mother is sitting in. My mother. She looks worn, like she has aged several years since I last saw her. She is speaking to a doctor. A tiny woman with dark hair, skin, and eyes. Their voices are low.

I am laying down, but the cot is tilted at an angle, allowing me to inspect my body. I am clad in a powder blue hospital gown and I can see little white stickers, the size of quarters, dotting my arms and legs. On my finger is a white clip, the kind they use at a doctor’s office to determine your pulse.

Noticing my movements, the doctor turns to face me.
There are two of her and both of them seem to be blurred along the edges. My eyes are camera lenses, focusing and unfocusing. Clear and blurry. I have so many questions I want to ask. Where am I? What’s going on? What are all of these machines that I am attached to? Why am I still here? What went wrong? But I am unable to form coherent sentences, and my words tumble out nonsensically. She says something. I can hear the words but I cannot register their meaning. “Is that the earth quivering beneath me?” I wonder idly. Or is it my body that’s trembling? I’m so tired. I am heavy. I am sinking. My eyes close of their own accord.

When I open them again, I realize I must have drifted off.
The doctor is gone.
My mother is dozing.
A nurse is attaching wires to the little white stickers and attaching said wires to a machine. It takes me a moment to find my voice.

“What’s going on?”
I sound like a heavy smoker.
She explains to me that the little white stickers are electrodes and they’re measuring my heart’s electrical activity. Normally, once the procedure, an EKG, is done, the electrodes are removed. But I was a special case. Apparently I had this same procedure a few weeks ago (I could not recall this but then again, I couldn’t remember my own name so I suppose that’s not too surprising) and the results were normal. But now they are dangerously irregular. They are worried my overdose had permanently damaged my heart. They want to monitor me. The clip on my finger is so they can keep track of my erratic heart rate. I will be transferred soon.
In a different city.
More specialized.
I have to strain my brain just so I can comprehend her words. I miss details, but I am able to grasp the gist, which is an improvement.
I try to sit up, but again there is a sharp pull in my arm. The nurse adjusts the IV and presses a button on my cot. I feel the back end of it rising, gently nudging me into a sitting position. “Why do I need an IV?” “We are trying to wash all of that medication out of your system.” “Isn’t that what pumping someone’s stomach is for?” “We weren’t able to. By the time you arrived, the drugs in your system had been absorbed into your bloodstream. We weren’t able to use activated charcoal either.”
And then it really hit me. I had failed. I was still here. I am crying. I don’t usually cry in front of people, and would never, ever let myself cry in front of strangers. But I am crying, sobbing actually. Tears rake my body.

I am terrible at living and I am terrible at dying. I am choking on them. Why can’t I do anything right? I can’t breathe. I can’t believe that is happening. Nothing feels real. This is someone else’s nightmare.
I am shaking. I did so much research. I prepared. What went wrong? I can’t be here anymore, I need to get out. My body shakes like a leaf. It is a separate entity from me. I stare down at it, repulsed. I wonder what it’s feeling. What’s making it convulse? What’s making it gasp for air? What’s making it claw at it’s own skin as if it is trying to escape itself. I just want to be nothing.

I want to be a part of nature. To disappear into the infinite expanse of the universe. To be recycled matter. To be nothing and to be everything. No more racing thoughts. No more flashbacks. No more panic attacks where my heart feels like it is trying to burst through my rib cage. Where I am a fish out of water, gasping for the oxygen that my gills cannot process. No more long periods of numbness with intermittent intervals of depression so severe that I cannot get out of bed. No more long sleepless nights, where the little sleep I do get is infested with nightmares. No more waking up soaked with sweat and silently screaming. I explain this all to the psychologist, who comes into my room hours after having been injected with a sedative medication.

He was a small, frail, and balding old man with thick glasses that were almost bigger than his face.“What do you have nightmares about?” “My father.” “Do you want to elaborate?” “No.” “Was there a history of abuse?” “Yes.” “Has it been reported?” “Yes.” I’ve driven him into a dead end so he changes tactics.

“Besides flashbacks and nightmares, how else does your PTSD affect you?” Is that not enough? “The majority of the time, I am watching myself go about my day to day life. It’s like watching a movie. The life belongs to somebody else. Therapists tell me it’s a defense mechanism, that it’s just my brain is trying to protect me. That way when he would hurt me I wouldn’t be there to feel it. But I feel out of control and powerless. I am a bystander in my own life.” His pen is scratching away at the paper it writes on.

“How does this make you feel?” “ Hopeless. Helpless.”
“Where do you see yourself in the future? What do you expect from yourself?” What future? “I will never be able to go to college, or hold a career, or have a family. I will never amount to anything. I have no purpose.” “Do you do poorly in school?” “No.” “Then why do you believe you won’t be able to get into college? “I never said I wouldn’t be able to get in. I said I won’t be able to go. I’ll get in. I’ll manage a couple months before it is too much for me. And than I’ll have to drop out. Same goes for a career. I’m useless anyway. And if anyone’s crazy enough to marry me, it won’t be long until they realize what a monster I am.” “So you don’t have many friends than?” “No. I have friends” “I’m guessing they don’t think you’re a monster?” “Most of them don’t know me. If they got to know me, they’d hate me.” “Why?” “Because I’m a terrible human being.” He closes his manila folder.
“Is that why you tried to end your life?” “Part of it.” “How do you think your death would affect those around you?” “I mean people would be sad. But they’d be better off.”
“What about you parents? Don’t you think you would break their hearts?” “They’d benefit. Mom’s always complaining about me being a burden. And according to my dad I’m a waste of space. And money. And time. And resources. And everyone would be better off if I was dead.” “Do you like your father?” “No.” Then why do you take so much stock in what he says?” “I mean it’s all true. My brother is like the sweetest guy in the world and he’s super honest, and he says I’m stupid and sadistic and mean and egotistical and well a lot of other things. And my dad’s a horrible person, but my mom is actually a very good person and even she’s always mentioning how expensive I am and how much space I take up.”
“All children are expensive.” “But I’m particularly expensive. I have a lot of health issues. There are so many different doctors I need to see plus all of the different procedures I need to have plus the different medications I need to take. It all adds up.” I wait for the psychologist to fire out another question, but he was silent. He took off his large glasses, wiped them clean, and placed them carefully back onto his crooked nose.

After an eternity of silence he spoke again. “I’m not supposed to share personal stories. I’m not supposed to do anything besides assess whether or not you are eligible to be hospitalized…” “Am I?” I interrupted. He ignored me. “But my sister’s son was a bit like you, very anxious. Very depressed. Unlike you, he self-­medicated. When he was twenty-two he died of a heroin overdose. That was twenty years ago. It still eats her up. She blames herself. She thinks about all of the ways she could have prevented it. She wonders why her love wasn’t enough.” There were tears in his eyes now. I had to look away, ashamed. “I understand you believe you chose the right course of action. But believe me, it would have destroyed your mother. There is no benefit from losing a child.” Silence. “Good ­luck.” The lump in my throat was too big to allow me to speak. I just watched him walk out the door. I heard him saying something to my mother. After a few moments she walked back into the room. Her eyes were red and puffy, her face seemed gaunt. And suddenly I missed her. She was right in front of me, but I missed her so badly it ached. I reached out for her and she took my hand.

 

Elli Ratner is a high school senior whose academic interests include developmental, criminal, and abnormal psychology; environmental policy and sustainability; macro and cellular biology; and peace studies. In her free time she enjoys reading, writing, yoga, running, making jewelry, and interior design.

 

Afterwords

By Marimac McRae

I’m on a couch that smells like someone else’s house. It’s a good smell, homey and fresh at the same time. I slide into the corner seat with apprehension, and my nervousness forms weights my ankles and wrists, manifesting itself in the awkward placement of my hands. I can’t get comfortable here quite yet, even though the seat supports me perfectly. I can’t get too relaxed quite yet. The canvas rolls out, and I feel another memory forming in the atmosphere of the dimly lit living room as strongly as if there were a temperature change.

Eleven girls lay on the floor next to me in a perfect row. The dim light cannot stick to our skin with anything stronger than a subtle orange glow. My eyes trace over the girls like a piano player would trace the keys of the piano; we both know the harmony of this unseen but understood order. They are all incredibly immobile, but their arms and legs are sprawled out in different directions, implicating a kind of motion that restlessly holds the moment still.

Through the air sifts Vivian’s voice reading to us. Bags lay empty, and we lay with them either lost to or claimed by the night. Empty and crumpled in the corner, I feel shadows from the deep creases in the deflated fabric under our eyes blooming like sunflowers. Through the shadows that bloom in the early hours of today, Vivian found her copy of the 3rd Harry Potter book. It is missing both covers, and the page corners are softened by frequent turns. Vivian reads without her glasses, but she reads without missing a word. The girls lay still in their active poses on the couch, like a piano holding out a note at the end of the song. Vivian’s story takes us to another world: a world beyond the party, a world that runs to its own music. I lose the lyrics that play in loops in my head in favor of falling into the waking dream of the post-party bedtime story that fills the air.

Made-up stories are caught in books, in lines that run straight on paper, in lines regulated by rules and managed by fonts. I want to catch this one, right now, somehow. The juxtaposition of these stories, the atmosphere’s power to transport us, and how motion is held prisoner by sleep and some softened pages. The piano keys so alive have finally fallen silent, and only an echo of us remains lingering in the solidifying air. Through the gaps, the story of our generation reaches all of us individually, I think. I don’t know if anyone else is awake and hearing this too. I don’t know if anyone enjoys this as much as Vivian and I do. But I do know that my wrists feel unbound, and I sink into the couch with a kind of belonging that I would not have felt otherwise.

But just when I think I am alone, one of the girls rings out with a smile at one of the story’s jokes. Then, another one rings out in harmony; she is smiling too.

I don’t really know what this all means. These mature girls have let this story take them as its own. Their confidence just hours before comes beaming back to me in the unspoken tongue of memory, and I wonder if this is the side of the girls that I will see when we wake up. Will we be docile or dauntless in the daylight?

The footsteps I left come back to me, shouting in the unspoken tongue of memory. They leave patterns like how-to-dance floors that become the tapestries of the night. They remind me of what happened through their brush strokes made with the remnants of motion. Memories that resonate with me fall to my fingertips, finding their place in an eternally expanding database hidden behind my locks of thick, tousled hair. Somewhere between an after party and Harry Potter, I discover I am very glad to be right where I am.

I inhale the smell of a house unfamiliar that has become familiar. I know that my last footstep of the night has become one of my favorites. I smile as my sleep-starved eyes close, and the notes of Harry Potter cloud my head and put me to sleep like they always did when I was younger.

 

Marimac McRae is a rising senior at Harpeth Hall, an all girls school in Nashville, Tennessee. Her work has been featured on Teen Ink and on the RunSmart blog of Olympian runner Malindi Elmore. She enjoys Cross Country, Track, Swimming, and other types of cardio-related pain. She also has worked as an executive editor for the literary magazine Polyphony H.S..

Storytelling

By Vivian Tsai

We hunt for treasure chests; we chase

the tails of Flopsy, Mopsy; race

through sprinklers tipsy-topsy-tall

till bedtime falls upon it all.

We conquer garden gnome by gnome

and crown the carrot patches Rome.

I was the sidekick, you the sage

to fairly rule our Golden Age.

And then, in autumn, comes the bus

concocting fumes with spit and fuss.

You shift your backpack, say goodbye;

I sit along the curb and sigh.

I count sheep while I wait, then roam,

then skip rope till the cows come home;

I wander through our garden-realm

and wonder how to take the helm—

then stumble, see a gnome or three,

our pinkie-sworn-off enemy,

but still I sit, begin to talk

and tell our old jokes, knock by knock.

And soon these knocks evolve to tales

of ventures new, with ships and sails,

Venetian boats: vessels to tell

the loneliness I now know well.

And as you vanish, day by day

I learn to spin the sad away.

See, here’s the thing: when you took flight

I first began to learn to write.

 

Vivian Tsai currently studies computer science and applied math at Johns Hopkins University. She spends her free time doodling, writing letters, and playing tennis with friends.

 

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