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Blue Marble Review

Literary Journal for Young Writers

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September 2023

Calf at Sunset

By Emma Berver

The calf’s jaw feels gold-heavy.
When I cup her chin,
it glows slick with hunger.
An eagerness to savor
sits in the upwards slant
of her wide eyes.

Her bull’s breath
heats my palm, condenses,
leaves a single drip of water
sliding against my wrist.
Within it, I can see
the small circle of the sun
reflected back at me,
as it slowly sets.

Two small dimples sit
where she was dehorned, hours after birth.
Dark feminine eyelashes, hot manly exhales,
I see in her a duality, so young she is still
part heifer, part bull, not yet re-signified.

I feel it in myself, too, as I
midwife a milking cow with
my gruff, calloused hands.

When her nose touches mine,
rife with presence,
it fills with an earthy sharpness
keen to begin a lifetime grazing,
head bowed, humbly.
To wean her from suckling,
she wears a spiked nose ring,
round and protruding,
that startles away the other cows
when it presses against
their soft bellies.

Her yearning, so instinctual,
was not built for bottle-feeding.
She juts her head forward,
lips curled and ready for attention,
towards me, instead.

My hands outstretched, I hold her head,
bearing her weight while she drinks.
I can feel her heartbeat through her neck
as I keep it tilted, unstrained,
pointed safely toward the sun as it sets,
the sky softening into flecks of gold against the dusk.

 

 

 

 

Emma Berver is a current student at Smith College pursuing a double major in English and Spanish along with the Poetry Concentration. She recently completed an internship at The Word Works, a poetry publication. Her work is forthcoming in The McNeese Review.

 

 

The Golden We

By Kamilah Valentin Diaz

after Gwendolyn Brooks after Terrance Hayes

I think about what it means to be a ‘we’
it requires a closeness tested and real

to feel time passing and the fire still blazing uncool-
ed and unbent a partnership unspent ‘we’

survives and doesn’t go out with a hit of the lights left
to their own devices ready to school

the ‘I’s in a trust that resists rust we
stay together, ride together, in each other we live and lurk

forever we lie within each other late-
nt in a love so blatant we

savor the taste of each other strike
‘n out together- we are tethered on this unstraight-

end path all rickety and smattered with cracks we
fill them in together as we sing

songs outta tune lathered in sin
we croon, ella lo que quiere es salsa*, we

feel our grins spreading, all our thin-
king needs to stop lets get our drinking on- hide the gin

it’s for breakups and we
are not there yet because we are jazz

not built to last but meant to be had like a summer fling in late June
on a never ending loop and over in the blink of an eye we

are made up of a you and I even if one of us is to die
‘we’ remains a truth of a love gone too soon.

 

 

 

Kamilah Mercedes Valentín Diaz is a chronic over thinker and the author of Moriviví: To Have Died yet Lived, her debut poetry collection with Alegría Publishing. Originally from Puerto Rico, Kamilah has tons of experience with change, but during the pandemic she was forced to sit still. With so much time to spare and her mental health circling the drain Kamilah found refuge in writing. Her family, sheer stubbornness, therapy, and writing journey helped her come back to life. As a college senior attending Purdue University, Kamilah is studying Political Science with plans to pursue an MFA in Creative Writing after graduation.

 

(*from ella lo que quiere es salsa, by Victor Manuelle)

 

Form and Content

By Huan Gu

Form and Content

 

 

Huan (Joy) Gu is a student at the Cheltenham Ladies’ College, UK. Her artworks are inspired by her city walks and restaurant hunting around Shanghai. She focuses on the dynamic and fluid lines of infrastructure from her photography of buildings in both London and Shanghai. Her interest of food prompts her to ponder about the relationship between diet and mental wellness. We live in a world where everything is easily accessible, but the knowledge of harmful effects due to these conveniences is concealed. Through her pieces, Joy hopes to reveal problems related to health and wellbeing for the society to discuss and improve. At the same time, she desires to inspire those encountering her work to focus on loving themselves as a crucial goal in life. She has initiated this process by informing more communities of the health effects of fast food by publishing an art piece called “Cezanne’s Takeout” through the Celebrating Art contest in 2022.

intertwined

By Logan Weghorst

intertwined

 

Logan A. Weghorst enjoys drawing and painting, in addition to working with wood, clay, and metals. His colorful “CAT” painting was featured on the cover of Parakeet Magazine’s debut issue. His monochromatic sketch, “Filling the Void,” appeared on Cicada Society’s blog. “Smile,” one of Logan’s pencil drawings made it to the semi-finalist round of Art of Unity’s 2022 Creative Award, putting the piece in the top 15% of 279 submissions from 52 countries.

Our Birthday

By Min Jung

Our Birthday

 

Min Jung is an 11th grader attending high school in NYC who has recently migrated from South Korea. Her works have been nationally recognized by the Celebrating Arts organization. She plans to continue pursuing art as she grows up, specifically in design and illustration.

Bleached

By Rhea Jain

Bleached

 

Rhea Jain is an artist from the San Francisco Bay Area. She sees art as a catalyst for change, a disruptor of thoughts. Her work has been recognized by the Alliance for Young Artists & Writers. When not painting, she can be found coaching young girls gymnastics or volunteering at her local animal farm.

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