• Skip to primary navigation
  • Skip to main content

Blue Marble Review

Literary Journal for Young Writers

  • Home
  • About
    • Masthead
    • Contact
    • Donate
  • Issues
    • Covid Stories
  • FAQs
  • Submit

Issue Six

Scarcity

By Cecil Starr

 

The August heat stuck heavy to the alligator hunter’s skin. The air stunk of Louisiana swamp but that’s the way she liked it. Her dog and her partner perched on the edge of the flat-bottomed boat, squinting into the murky water. The sun beat down on the back of the hunter’s neck, crisping it up nice and red. She drummed her fingers on the thick metal steering wheel.

“Think there’ll be a bite at the next line, Minnie?” her partner, still green and wide-eyed, asked. This would be their third line today with no bites.

“Hope so,” Minnie replied.

“Hope it’s a big’un. A big ol’ gator, all fat and pretty.”

“When’s s’last time you saw a fat gator?” Minnie shielded her eyes from the harsh glare of the sun and peered into the distance. The partner fell silent, staring at the water with a frown and placing a hand on the dog’s back.

“I seen plenty of fat gators.”

“You ain’t.” Minnie grunts.

“I have! Farther east, near Belle Chasse, there’s gators the size of horses!” The partner snapped, defensive, fist clenched on the dog’s back. He yelped and skittered to the front of the boat.

“That’s a dirty lie, Addie, I been to Belle Chasse.”

“You ain’t hunted there,” Addie snapped, glaring at the water now. “You ain’t hunted there.”

“S’all the same. Ain’t no gators nowhere – Not here, not Belle Chasse.”

“Y’all’s just bitter ‘cause you can’t get a bite,” Addie said, accusatory. She slapped a mosquito off her arm. Minnie looked past her, eyes forward.

“Then why’re you here if you know I ain’t got a bite?”

“’Cause I ain’t got any either,”

“Nobody’s got any,” Minnie stared in the distance. She could see the tall rise of cypress trees out of the water like bones floating up in an old cemetery. One of them had a heavy line weighted down with waterlogged chicken, hopefully with a fat gator hooked on the end. She wasn’t close enough yet to see, but the gnawing in her gut told her that she wasn’t going to be so lucky.

Addie shut her mouth as they neared the third line so that the only noise was the thrum of the boat’s engine, the cicadas’ cries, and Addie’s own stomach. The dog—a good dog, with a smart nose and no pedigree—perked his pointy ears up and licked his chops, barking sharply. He’s probably smelling the chicken.

“Wouldja look at that!” Addie pointed to the base of a cypress tree, among the tangled roots.

“Well, damn,” Minnie wiped her brow and pulled out her shotgun from where it had been tucked against the boat’s side. She cocked it once, standing up. “Get over here, bring us in,”

Addie clambered to take the wheel, revving the engine and sidling them as close to the cypress as they could get. The gator heard them and snapped his jaws. A glittering metal hook had embedded itself in the back of the beast’s throat, thick wire sprouting from it and tethering him to the thick tree trunk. He swung his tail uselessly, sending stinking droplets of water into the air.

“Shoot him!” Addie said, scrambling to grab the line and hold the gator still. “Get him!”

Minnie ignored her. She waited till the gator had closed his jaws and started a roll, thrashing in the water to break free. She fired once. The dog barked when the bullet hit the water. She cursed and aimed again at the fleshy triangle at the base of the gator’s skull. A quarter-sized chink in the armor, she knew it too well. She shot again, and the gator let out a scream. It stopped thrashing in the water.

“Ha ha, yes! Nice shot!” Addie said, moving over to help haul it into the boat. The dog wagged his tail. Minnie patted him on the head and reached down, gripping the gator with thick, calloused fingers.

Once they got it on the boat, they could get a good look at him. He was scrawny and old and missing a claw. He wasn’t going to fetch a good price, not enough to cover the two of them. Minnie cursed and kicked him halfheartedly with her boot.

“Hey, don’t be like that,” Addie said, wiping her sweat-sticky brow.

“Shut up.”

“No, I mean it—” Addie tried again, arms wide, pleading.

“So help me God, if you don’t shut up I’ll throw you over. See if that brings ‘em out. Jesus Christ.” Minnie’s words had thorns, but there wasn’t anything behind them. She was too tired to put any fire in her threats.

“…Yes, ma’am.”

They spent the ride to the next line in empty silence, the sun creeping inch-by-inch overhead. Minnie took her place at the wheel again, gripping it tightly, jaw clenched.

“Aw, shoot,” Addie said.

“What?” Minnie craned her neck to look.

“Bait’s gone.”

“And no gator?”

“No gator.”

Minnie and Addie glared down at the water together, the sun beating down on them. Addie’s stomach growled again, but the cicadas drowned it out.

 

 

Cecil Starr lives in Pittsburgh, Pennsylvania, and has been recently featured in Pulp literary magazine.

 

Paramnesia

By Noelle Hendrickson

Paramnesia

To create the photo, I first took the picture, asking a friend to model. Then I took the raw file into Photoshop CS6, and added shapes, textures, and ultimately editing the photo to convey the title I gave it. Paramnesia is a delusion where fact and fantasy are jumbled, such as deja vu. In the artwork I attempted to show the gap between fact and fantasy, whilst the equal sign bridges the two.

 

Noelle Hendrickson is an American photographer currently studying abroad in Melbourne, Australia. She combines her photography with her Photoshop Certification to create story-telling visual art. Her work has appeared in literary magazines such as The Claremont Review and The Eclectic.

Eve, Re-imagined

By Logan February

this time            I do not own
a pair       of yellow shoes
so I walk   up the stairs
with bare feet

gardener says    to look for love
on higher ground
but there is no messiah
waiting
I made                a mistake and
kissed                 a snake

I made
a mistake
and kissed
a snake
who had            no apple to offer me

exchanged my name            for a handful
of dried flowers                     and
wistfulness
this is not            the first time

 

have I become
a body of           antibodies?
how many doctors
or                  cherubim
are        available
and is it still                    cliche’
if I am not wearing
yellow
or anything at all?

 

I do not know           what I need
but I know           that this kind of thing
should not happen                        so often

 

 

Logan February is a happy-ish Nigerian owl who likes pizza & typewriters & memes. His work has appeared or is forthcoming in Vagabond City, Glass, Figroot, and more. His book, Yellow Soul (April Gloaming Publishing) & a currently untitled chapbook (Indolent Books) are forthcoming in 2017. Say hello on Instagram & Twitter @loganfebruary.

From the Editor

By Molly Hill

                           It ain’t whatcha write, it’s the way atcha write it.

                                                           Jack Kerouac

 

To our readers and contributors:

By the time one of our issues goes up online we’ve corresponded with a lot of writers and artists, and it’s exciting to see the variety of creative work out there. Because we’re grant supported and have a fixed per-issue budget, we end up (reluctantly) turning down a lot of great work that fits our guidelines. We hope reading through an issue of Blue Marble is a catalyst for writers and artists to create and continue sending their work out into the world.

 

Many thanks to our grant givers, benefactors and cheerleaders whose unflagging support continues to allow us to pay all of our contributors.

 

Our Issue Six creatives write about a range of topics: travel, love, loss, grief, race, identity, Facebook, and more—but it’s the way they write that makes their work stand out. There’s a good mix of humor, insight and poignancy in this issue and we hope you’ll return frequently to our site to sample the prose, poetry and art on these virtual pages. The contributors in this issue range from 13-21 years old and live in the U.S. as well as England, Ireland, South Korea, Singapore and the Philippines. So glad all of you found us!

 

Molly Hill

Editor

 

 

Coloring Books

By Sanya Bery

 

In 2nd grade, I fiddled, cross-legged, as I listened to my teacher mumble about the beauty of books.

“Reading is like giving vague instructions to your mind,” she whispered, “like a coloring book: you give your brain an outline and allow it to figure the rest out by itself.”

I couldn’t help but let her enthusiasm enter me- it was wonderful, what our brain would think, what it was taught to think, with no instruction.

Soon, the bookshelves in my room overflowed with stories I could never forget. At night, I would pray to be those characters, trapped in the confines of pages, fighting evil. I could almost envision my blue eyes twinkling in the sunlight as my blonde hair flew behind me. My long, pale legs would pump faster and faster, leaving the villain in the dust. Maybe this vision of myself was my first mistake.

My second mistake was quite similar: I always imagined myself as princess Ariel, caring and good-natured but just a tad rebellious. In elementary school, at the lunch table, my friends and I were talking about what princess we would be, and I, quite confidently, said that I was Ariel. The reaction, nervous laughter, was not what I expected.

Lyla, a girl with fair skin and dark hair, who we knew was Snow White, responded.

“No, you’re not Ariel. That doesn’t make any sense. She is.”

Lyla pointed a slim finger at a shy girl sitting on the corner of our table. She had fire for hair, light eyes and even lighter skin.

“Who am I then?”

Lyla paused for a little, and looked around at everyone else. “I don’t know, no one, I think. Not everyone has to be a princess. It’s okay.”

After lunch, I immediately approached the girl who was said to be Ariel. I let my mind wander about all the insane adventures we would go on together. I found out soon enough that she was timid, and deathly afraid of the sea and breaking rules. I was confused.

That night I took a good look at myself in the mirror, the conversation still echoing in my head. No one. Not everyone has to be a princess. I was upset, but mainly confused. I looked up to these fictional girls because I saw bits of what I was in them, and pieces of what I wanted to be. I thought that our personalities were very similar. But, everyone else seemed to be drawing comparisons on the basis of something as empty as appearance. It was then that I understood I would never be called Ariel because she was white, and I was not. There was something cynical in reading now; each marvelous heroine was just a character, a figment of my imagination, something I’d never be.

The more books I read, the more I see that authors often stick to simplicity when it comes to detail. For example, everyone has a nose and authors often do not include this detail in a character’s profile because they know that the reader will be able to imagine it. My teacher was right- we, as readers, are able to fill in aspects even when there is no specific instruction. The author only mentions a nose in extreme cases: when he or she believes that without a proper description the character cannot be complete or fully understood (think: Voldemort). Oddly enough, I have noticed that ethnicity in literature works the same way. The standard of race has become so embedded in our head that like an ordinary nose, explaining that a character is white is a waste of words that can instead be spent on painting a better picture of the character. If there are two characters, Sasha who is white, and William who is not, the character development for Sasha is always much more in depth. The reader learns small quirks about Sasha, like how she takes her coffee. William, however, is treated like a character with an extremely unique nose, and suddenly the reader knows nothing about his personality, but rather knows too much about the exact shade of his skin.

When we read about Sasha we allow our mind to think. We know Sasha likes coffee in the morning with no sugar because she is trying to lose weight for her brother’s wedding that’s in two weeks. This detail sparks a flame that allows readers to relate to her. We like her, because she’s like us. But when we read about William we think, “oh that’s the kid who is black,” because that’s the only description we have received. We don’t see William away from his race as we do Sasha. We have confined him.

Don’t get me wrong I believe that race is important in development of characters: fictional or realistic. However, race should help us grow, not stop us. When I was young, what I struggled with most about that lunch table conversation was realizing not that I wouldn’t be seen as Ariel, but that I wouldn’t be seen as anyone. My young mind failed to see me painted as a hero. For the longest time I thought that I was the problem. If no one wanted to write about someone who looked like me, or had parents that looked like me- isn’t that an issue?

Whether we want to believe it or not, there’s something in all of our brains forcing us to perceive some people differently than others due to small, and in hindsight meaningless, characteristics. These unfair stereotypes, which begin as whispers and progress into screams, build a wall that not only divides us but sometimes, in the worst cases, buries us alive.

I wonder how long it will take until we realize that maybe our instinct is not correct. Maybe, corrupt from the generations before us, our brain is begging for a change-to not only have coloring books but also to celebrate any color that appears. Maybe we need a rainbow of Ariels, and to equally accept those with tails and those with legs.

 

 

Sanya Bery lives in New Jersey and spends most of her time in the city, or the tree house she and her brother found in the woods behind a golf course (very cliché, she knows, but seriously: people underestimate the power of tree houses).
Her writing has won both a Silver and Gold key, and has been published in Creative Communication, Prisms Magazine, Teen Ink, and Canvas Literary Magazine. 
Her creative writing teacher is the wonderful Ms. Tess James.

The Event Horizon

By Selena Spier

 

It was a sun-strained, shallow-breathing day in the ides of August – that treacherous month, with its cornflowers and ice-cream trucks – that my sister Barbara got sucked back into the sun. I’m not just saying that. I’m not crackers or anything. I’m just telling you what she told me, because it’s been bringing me comfort these past few weeks, and the time will come when it’ll bring you comfort too.

As I said before, it was August, the August of the overgrown roads, that time of year the air starts to get cool but still feels dry and sandpapery on the back of your throat. Barbara had cut Sunday school and gone out into the cornfield. The other kids had been teasing her. She was seven and I was five, which is probably why I didn’t notice her leaving at the time. But she left all the same. She waded through the blackberry bushes – where the gremlins live, as everybody knows – and climbed over the stone wall to the field. She went right to the middle and stood in the grass in her purple Sunday dress, motionless except for her enormous stuck-out ears. These were flapping softly in the breeze, skin so thin you could see the sun through it. Barbara stood out there for a while, blinking, and then began to run. She ran faster than any human being had ever run before, so fast that she could feel her heartbeat in her tongue, and then, all of a sudden, the wind caught her ears like a sail and she was lifted clear off the ground. She flailed around for a moment, half-surprised, before getting her bearings. Then she started flying around above the field in loops and dives and figure-eights, and all the while her ears were flapping up and down, up and down.

She circled around like that for a while, laughing in glee, until her ears got to feeling sore. She hovered in midair, then began to fall upwards into the sun. At first she was frightened, but her fear quickly subsided when she discovered that she could still somehow breathe. She closed her eyes. When she opened them again she was in a large room, with high ceilings and marble floors. All around her was a throng of people – not real people, though; as soon as you looked at one straight on it would disintegrate, the way a bubble does under its own weight. There was no god. Just the last Dalai Lama at the front desk, checking everybody in. Barbara went to him. He gave her a key and told her she could leave her skin in the blue hamper, and that she could look out the window one last time before going into the waiting room. He told her she could wait there as long as she liked.

She peeled her face off first. It didn’t hurt. Then she shimmied out of her arms and torso and stepped carefully out of her legs. For a few minutes she held on to the sound of her name, listening as it was repeated to her in many voices, over and over, last of all her mother’s. Then she smiled and nodded and set it aside.

The window was hardly a window at all, just a little porthole of turquoise glass carved into the far wall. She went and pressed her nose to it. Far below was the great blue expanse of the world she’d left behind, roiling with dust and storms and people milling around the cities like ants. At first she was watching a civil war – then she got distracted by a baby being born, cute little thing, with a harelip and astigmatism. She stood, and she watched, and she thought about the day she caught mama smoking menthols in the guest-room shower. She was desperately happy; she was indescribably sad.

The waiting room wasn’t a room – it was the soccer field by our elementary school, the one with the faded lines and the old bleachers that screamed when you sat on them. She stumbled down the little hill and went to lie down on the center line. She felt fine, just fine, a little overwhelmed but nothing that wouldn’t dissipate with time. Everything was warm and sunny; there was nobody else around. And as far as I know she’s still there, lying face-to-the-sky in the scratchy August grass, thinking about things.

 

 

 

Selena is a college sophomore originally hailing from Block Island, Rhode Island, where she spent the better part of her childhood catching hermit crabs and messing around in boats. She reads everything she can get her hands on, but her favorites in particular are Isabel Allende, Milan Kundera, and Louise Glück. She also spends a lot of time painting, going for runs, and thinking about aliens.

 

  • « Go to Previous Page
  • Go to page 1
  • Go to page 2
  • Go to page 3
  • Go to page 4
  • Go to page 5
  • Go to Next Page »

Copyright © 2023 · Site by Sumy Designs, LLC